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302 items tagged "musical"
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wine [+],
winder [+],
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whammy [+],
week [+],
web [+],
wavetable synthesis [+],
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water wheel [+],
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using midi [+],
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stradivarius violin [+],
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stick [+],
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star wars theme [+],
star wars prequels [+],
star wars imperial march [+],
star wars imperial [+],
star [+],
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spectrum analyzer [+],
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red gum [+],
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recording music [+],
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record player [+],
randy sarafan [+],
ram [+],
radiation [+],
quadrotor [+],
punk [+],
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proper music [+],
propeller [+],
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organ donor [+],
optigan [+],
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mega man 2 [+],
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major and minor scales [+],
magnetotron [+],
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japanese [+],
james bond theme [+],
james bond [+],
jack [+],
ir sensor [+],
iphone [+],
introduction to digital electronics [+],
interface midi [+],
interface [+],
instrument control [+],
insane fish [+],
infrared theremin [+],
indonesian gamelan [+],
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ian [+],
hydrocrystallophone [+],
human endeavours [+],
horse [+],
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home [+],
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hackaday [+],
guy [+],
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guitarists [+],
guitar work [+],
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guitar pickups [+],
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guide [+],
greek soldiers [+],
graphical interface [+],
gold [+],
glove [+],
glockentar [+],
glockenspiel [+],
glass [+],
gijs [+],
geiger counters [+],
geiger counter [+],
geiger [+],
gear [+],
gatari [+],
gamelatron [+],
gamelan orchestra [+],
gamelan [+],
fuzz pedals [+],
fuzz pedal [+],
fuzz face [+],
fred murphy [+],
frdric [+],
foot pedals [+],
foot controller [+],
foam core [+],
floppy drive [+],
floppy [+],
flex sensors [+],
fixed rate [+],
fisher price [+],
first glance [+],
fire explosion [+],
fife [+],
field programmable gate array [+],
fiber [+],
ferwerda [+],
fender twin [+],
fender [+],
fellow travelers [+],
favorite toys [+],
face [+],
fabbing [+],
evilsigntist [+],
evan [+],
equipment [+],
eprom chip [+],
ellsworth [+],
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electronic recorder [+],
electronic music [+],
electronic drum set [+],
electronic drum kit [+],
electronic design [+],
electronic cello [+],
electronic artists [+],
electromagnetic [+],
electric keyboard [+],
educational construction [+],
echo [+],
ebony and ivory [+],
ebony [+],
dumpster diving [+],
dulcet tones [+],
dubstep [+],
dual floppy drives [+],
drumming [+],
drum machine [+],
drool [+],
drive music [+],
drive array [+],
drilling holes [+],
draw [+],
dorian damon [+],
dorian [+],
dop [+],
don gilmore [+],
don [+],
dj controller [+],
distance [+],
disk [+],
digital to analog converter [+],
digital synth [+],
digital playback [+],
digital ir [+],
digital electronics course [+],
dexterity [+],
developer board [+],
delight [+],
delay [+],
definite need [+],
dataplex [+],
daniel mellinger [+],
dad [+],
custom controller [+],
ctrix [+],
cover [+],
cornet [+],
cornell students [+],
conversion [+],
control voltage [+],
control [+],
conglomeration [+],
conductor [+],
concert [+],
computer [+],
compatible keyboard [+],
compact flash reader [+],
commodore 64 [+],
code [+],
cloudscapes [+],
cigar box [+],
chomp [+],
chiptunes [+],
child [+],
chess pieces [+],
chess board [+],
characteristic sound [+],
carnegie hall [+],
carbon fiber [+],
carbon [+],
camera module [+],
bundle [+],
bunch [+],
brett park [+],
breadboards [+],
brand [+],
boxes of electronics [+],
booster pack [+],
booster [+],
bonzo buddy [+],
bonzo [+],
bluetooth [+],
blues records [+],
bitbuf [+],
bird [+],
bill of materials [+],
bill dudley [+],
bill [+],
berlin [+],
benny franklin [+],
bellows [+],
behold [+],
behemoths [+],
bass project [+],
bass cabinet [+],
barrel organ [+],
barrel [+],
band muse [+],
bagpipes [+],
bag [+],
bacemaker [+],
avr chip [+],
avr [+],
autuin [+],
auto stop [+],
auto [+],
audio sampler [+],
audio player [+],
attiny themed [+],
artemis project [+],
artemis [+],
arps [+],
armonica [+],
argentina [+],
antoine [+],
anthropomorphic robot [+],
annoy [+],
analog way [+],
analog synthesizers [+],
analog oscillators [+],
analog electronics [+],
ampeg [+],
ambika [+],
all the rage [+],
algorithms [+],
alex kushleyev [+],
aka [+],
additive synthesis [+],
adam somers [+],
actuarial tables [+],
abdullah [+],
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ARM [+],
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xbee,
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wavetable oscillator,
wave table,
wave,
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video signals,
video hacks,
video game classics,
vhs,
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turntables,
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tube amplifiers,
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tristan chambers,
tristan,
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tone generator,
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tl074,
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tesla coils,
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tank,
talk,
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synkie,
stringed musical instrument,
string bass,
storage room,
stocco,
steve hobley,
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spectacular fashion,
speaker setup,
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spark project,
sound manipulation,
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roland cr ,
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rock band,
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resurrecting,
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playing the harmonica,
player piano rolls,
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input signal,
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great guitarists,
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fifth installment,
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everything,
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electronic organs,
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doctor who,
disc format,
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dirk,
dino segovis,
digitizing,
digital watch,
diego stocco,
didn,
darbuka drums,
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crew,
couple,
cool project,
computer speakers,
classic video gaming,
chuck e cheese,
chipophone,
case,
carrascal,
card,
capoeira,
buckle,
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bonus features,
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body contours,
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blind friend,
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belt buckle,
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beginners guide,
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band teacher,
baking,
bad case,
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audio signals,
audio demo,
audio crossover,
audio amplifier,
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audible sound,
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8:30
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Hack a Day
Speaker cone materials can be a deep rabbit hole ranging from inexpensive paper to kevlar. We’ve all cut apart, or blown out, the cheapies to see their inner workings, but the exotic material list does not stop at audiophile-quality models. It can include mirrors, microwave ovens, and a European hacker’s forehead. Video also after the break. In addition to the speakers with expensive elements, there are sound-generating transducers with no cones. These are sometimes called surface speakers, and they vibrate something, anything, to make a sound. At their cores, they have many of the same parts, and making a surface speaker from a traditional speaker is not difficult.
The first step is to find a raw speaker, one with no crossover components, possibly from a garage sale or from a set your spouse insists are outdated, ugly, and better off as firewood. Power specifications should not change since we will be using the same solenoid, and that means your amplifier can follow the speakers back from the dead. The video provides step-by-step instructions, and the goal is to create a module with a moving shaft, but the range must be limited so it cannot be pushed back into the speaker or pulled away, both could destroy it. Once you have that, go around and make everything noisy. Don’t use this on pets or children, but spouses are fair game.
We would love to see a chip bender experiment with different speaker mediums to add an extra layer of complexity, but for the rest of us, bone conduction is already a real thing, and if you enjoy impractical speakers, you are not the only one with your head in the clouds.
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19:00
»
Hack a Day
It is hard to imagine how the electronics hobby survived without the Internet. You found like-minded people and projects in magazines. And it is even harder to imagine what projects were in the magazines before the widespread availability of CPU chips. Think about it, there are only so many things you can build with a handful of tubes, transistors, and small ICs. But before the computer revolution took over the hobby, there were always a lot of articles about music synthesis. Coming full circle, you can now build a virtual synthesizer on the web using Zupiter, a modular synthesizer that runs in your browser.
That link is actually about Zupiter, but you can go straight to it if you just want to play. However, we had to do a little reading and try some of the examples, too. You can see a video about the synthesizer, below.
The term modular refers to a type of synthesizer that had different modules that come together by means of patch cables to create a particular sound. This type of synthesizer appeared around 1963, being independently developed by both Moog and Buchla working from innovations from Hugh Le Caine.
Of course, not everything you can do with Zupiter sounds like music. We were partial to this example. If you prefer real hardware, grab a Game Boy. What goes well with a modular synthesizer? How about a modular keyboard?
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19:00
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Hack a Day
Audiophiles have worked diligently to alert the rest of the world to products with superior sound quality, and to warn us away from expensive gimmicks that have middling features at best. Unfortunately, the downside of most high quality audio equipment is the sticker price. But with some soldering skills and a bit of hardware, you can build your own professional-level audio equipment around an ESP32 and impress almost any dedicated audiophile.
The list of features the tiny picoAUDIO board packs is impressive, starting with a 3.7 watt stereo amplifier and a second dedicated headphone amplifier. It also has all of the I/O you would expect something based on an ESP32 to have, such as I2S stereo DAC, an I2S microphone input, I2C GPIO extenders and, of course, a built-in MicroSD card reader. The audio quality is impressive too, and the project page has some MP3 files of audio recorded using this device that are worth listening to.
Whether you want the highest sound quality for your headphones while you listen to music, or you need a pocket-sized audio recording device, this might be the way to go. The project files are all available so you can build this from the ground up as well. Once you have that knocked out, you can move on to building your own speakers.
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11:30
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Hack a Day
Ever wanted to make some seriously trippy retro graphics to go along with your lo-fi hip hop beats? Now you can, with [teafella]’s aptly named Hypno Video Synthesizer, a Raspberry Pi-based video synthesizer that digitally emulates and extends analog video workflows through colorization, shape generation, and feedback, patching the modifications into a compact interface. The device allows music creators to perform with live visuals, or alternatively to create a unique visual source for a video setup. Once the CV input is plugged in, all it requires is a composite display and power to start working.
Hypno takes input through a control voltage (CV) jack using a MCP3008 ADC via SPI, with voltages scaled from -5-5V to 0-5V. The device attaches on top of a Raspberry Pi, using Raspbian for the operating system and the Pi Zero GPIO to interface with an OpenGL Engine. The input parameters are taken from knobs through a multiplexer into a single channel of the ADC, with values offset in software based on the CV inputs.

Using the Hypno ends up being fairly straight forward, as the controls are organized onto two mirrored sides for the two oscillators A & B, with global controls in the center. There are knobs that control polarization, rotation, shape, feedback modes (regular, hyper digital, zooming, rotating zoom), clock in/clock out, frequency, root hue, and master gain, as well as RGB LEDs that provide visual feedback.
A single jack outputs the composite result, although a micro-HDMI plug can also be used on the back. For advanced functionality, Hypno allows for patching, which mixes effects on top of one another and allows for shapes such as oscillator cross modulation. There are also alt-controls that open up self modulation and other shapes. Examples include bipolar drift (smoothly scrolls the oscillator) and mirroring (mirrors the oscillator’s shape in different patterns for a kaleidoscope-eque tiled madness).
The software is written in C++ and GLSL, with the main engine running with one plane in OpenGL, drawing the output of a GLSL shader. The CV and knob inputs are fed into shader uniforms that are used to change the visuals in the engine.
[teafella], a self-professed Arduino user, uses WiringPi for the GPIO interactions. The Shader system is inspired by analog video synthesis, with every shape having a simulated “scan” over the screen and function mapped to it that can be transformed into polar coordinates.
The setup for Hypno is fully compatible with analog CV equipment such as Eurorack synthesizers, which makes it easy for music creators to plug and play. Here’s a couple of sample outputs from some soundtracks inputted into Hypno:
Too many combinations to even imagine? Check out a demo of Hypno in action!
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22:00
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Hack a Day
Sit next to any piece of machinery long enough and you get to know it by the sounds it makes. Think about the sounds coming from any 3D-printer or CNC machine; it’s easy to know without looking when the G code is working through the sines and cosines needed to trace out a circle, for instance.
It was the same back in the day, when bored and bright software engineers heard note-like sounds coming from their gear and wrote programs to turn them into crude music machines. And now, [Ken Shirriff] details his efforts to revive a vintage IBM 1403 line printer’s musical abilities. The massive 1960s-era beast is an irreplaceable museum piece now, but when [Ken] and his friends at the Computer History Museum unearthed stacks of punch cards labeled with song titles like “Blowin’ In the Wind” and “The Blue Danube Waltz,” they decided to give it a go.
The 1403 line printer has a unique chain-drive print head, the inner workings of which [Ken] details aptly in his post. Notes are played by figuring out which character sequences are needed to get a particular frequency given the fixed and precisely controlled speed of the rotating chain. The technique is quite similar to that used by musical instruments such as the Floppotron, or when coercing music from everyday items including electric toothbrushes.
Lacking the source code for the music program, [Ken] had to reverse engineer the compiled program to understand how it works and to see if playing music would damage the chain drive. The video below shows the printer safely going through a little [Debussy]; audio clips of songs originally recorded back in 1970 are available too.
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8:30
»
Hack a Day
Many machines make music as a side effect, as anyone who owns a 3D printer can confirm. [工場音楽レーベルINDUSTRIAL JP] is working on a project to meld music and machinery in new ways. They are building a record label and a playlist based on the sights and sounds of small factories in Japan. Their videos combine the hypnotizing, rhythmic beauty of precision manufacturing process with music from local artists, and the result is like r/SoundsLikeMusic met up with How It’s Made and created a series of un-narrated industrial fever dreams.
While the focus is on high-tech factories, the content of these moodily-lit videos is pretty diverse. Never before have we been so mesmerized by the folds of an air filter or the pressing of vinyl records. Our favorite might be GOKO BANE, which takes a bumpin’ look around the Goko Spring factory. It makes us want to throw on some rags and dance like they do down in Zion.
Once in a while they will play around with the video speed of the factory process for effect, and it works nicely. If there’s any downside, it’s that no one process is shown from start to finish. But that’s not the point, anyway.
Don’t have access to a factory? Us either. But if you can get stepper motors, it’s pretty easy to make music by driving them forward, or even backward.
Thanks for the tip, [KILLERGEEK].
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In the late 1980s, the French musician [Jean-Michel Jarre] famously toured with a laser harp. The word among teenage fans was that he had to wear special gloves to stop his hands getting burned, because 1980s teens were both impressionable and didn’t know much about lasers. In fact we’re told by a member of our community who was part of his road crew that the glove was a matter of reflectivity, so laser harps remain relatively harmless and French harpists retain their fingers. To add a bit of spice to the laser harp experience, [James Cochrane] hooked up a laser rangefinder to a Tesla coil to make an instrument with a bit more crackling energy in its performance than the [Jarre] model.
It starts with a laser tape measure modified to serve as an Arduino rangefinder, coupled to custom MIDI code to make a laser harp MIDI controller. The Tesla coil in question happens also to be a MIDI instrument, so the one can control the other with ease. The addition of an earthed chain mail glove allows it to be played in close proximity to the coil, and he rewards us with a rendition of the Star Trek theme. Tesla fun and games behind us, he then gives us a demonstration with a more conventional MIDI instrument.
We’ve had innumerable Tesla coil projects here over the years, if you’re hungry for more we suggest starting with this unusual planar PCB coil design. Meanwhile you can see the laser harp coil in the video below the break.
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Over the years, we’ve seen numerous projects that attempted to 3D print speaker enclosures that deliver not only a bit of custom flair, but hopefully halfway decent sound. Though as you’d probably expect, the drivers themselves are always standard run-of-the mill hardware mounted into the plastic enclosure. But given the research being conducted by [Paul Ellis], that might not be a safe assumption for much longer.
His quest to develop a full-range 3D speaker has taken him through several design revisions over the last two years, with each one being put through testing procedure that compared its frequency response to “real” speakers from manufacturers like Dayton and Bose. The project is very much ongoing, but a recently completed iteration of the driver design managed to exceed 80 dB at 1 W. In terms of audio quality, [Paul] reports they can hold their own against commercially available drivers. You can hear for yourself in the video after the break.
Ultimately, he hopes to be able to sell his 3D printed speakers in kit form to anyone who’s looking for the last word in bespoke audio hardware. The idea being that the drivers and enclosure will be completely modular, allowing the user to swap out individual components for ones printed (or not) in different materials so they can tune the in-person sound to their exact specifications. To facilitate this rapid reconfiguring of the drivers, the designs use some neat tricks like having the magnets be removable rather than glued in so they could be swapped out non-destructively.
This isn’t the first fully 3D printed speaker driver we’ve ever seen, Formlabs showed one off that was made on their SLA printer back in 2015, and we actually saw a rudimentary take on the same idea earlier this year. But the work that [Paul] has done here is certainly the most thorough, and dare we say practical, take we’ve ever seen on the concept.
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Many everyday objects make some noise as a side effect of their day job, so some of us hack would them into music instruments that can play a song or two. It’s fun, but it’s been done. YouTube channel [Device Orchestra] goes far beyond a device buzzing out a tune – they are full fledged singing (and dancing!) performers. Watch their cover of Take on Me embedded after the break, and if you liked it head over to the channel for more.
The buzz of a stepper motor, easily commanded for varying speeds, is the easiest entry point into this world of mechanical music. They used to be quite common in computer equipment such as floppy drives, hard drives, and flatbed scanners. As those pieces of equipment become outdated and sold for cheap, it became feasible to assemble a large number of them with the Floppotron being something of a high-water mark.
After one of our more recent mentions in this area, when the mechanical sound of a floppy drive is used in the score of a motion picture, there were definite signs of fatigue in the feedback. “We’re ready for something new” so here we are without any computer peripherals! [Device Orchestra] features percussion by typewriters, vocals by toothbrushes, and choreography by credit card machines with the help of kitchen utensils. Coordinating them all is an impressive pile of wires acting as stage manager.
We love to see creativity with affordable everyday objects like this. But we also see the same concept done with equipment on the opposite end of the price spectrum such as a soothing performance of Bach using the coils of a MRI machine.
[Thanks @Bornach1 for the tip]
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Did you know that the English concertina, that hand-pumped bellows instrument favored by sailors both legitimate and piratical in the Age of Sail, was invented by none other than [Sir Charles Wheatstone]? We didn’t, but [Dave Ehnebuske] knew that the venerable English gentleman was tickling the keys of his instrument nearly two decades before experimenting with the bridge circuit that would bear his name.
This, however, is not the reason [Dave] built a MIDI controller in the form of an English concertina. That has more to do with the fact that he already knows how to play one, they’re relatively easy to build, and it’s a great form factor for a MIDI controller. A real concertina has a series of reeds that vibrate as air from the hand bellows is directed over them by valves controlled by a forest of keys. [Dave]’s controller apes that form, with two wind boxes made from laser-cut plywood connected by a bellows made from cardboard, Tyvek, and nylon fabric. The keys are non-clicky Cherry MX-types that are scanned by a Bluefeather microcontroller. To provide some control over expression, [Dave] included a pressure sensor, which alters the volume of the notes played depending on how hard he pushes the bellows. The controller talks MIDI over Bluetooth, and you can hear it in action below.
We’ve seen MIDI controllers in just about everything, from a pair of skate shoes to a fidget spinner. But this is the first time we’ve seen one done up like this. Great job, [Dave]!
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You would be forgiven for thinking that the semi-spherical bulb [Len], from the Bellowphone channel, is holding is a toilet bowl float. It is a bellows of his design that is similar to the squeezable part of a bike horn but is more substantial and less irritating at six in the morning. These rubber squeeze balls are old-school in the best way, and craftsmanship rolls out from every second of his videos. The backdrops to [Len’s] videos are alive with tools, materials, examples, and instruments the same way our offices and maker spaces erupt with soldering irons, LEDs, and passives.
His video walks through all the steps to make latex bellows starting with a rigid stemmed bulb and painting it with latex. This takes a bunch of coats with the associated drying time, so if you need a lot of bellows, you will want multiple bulbs. After coating of latex, we move to the contraption known as the Snout Master 5000. The SM5K looks like a wooden jig held in a table vise, but it is a purpose-built over-engineered chuck with four ball bearings held in a vise. When the latex is thick enough, the form is removed, and the bulb is repaired, then, more coats. Each ball has roughly twenty layers, and with three hours between coats, this is a weekend job at a minimum. Good things come to those who coat. The final steps are boiling the bulbs and adding a silicone preservative. They can last up to a decade with proper maintenance.
We see lots of electronic and automated instruments here, and spherical balls are definitely on the human interface spectrum, but the techniques we see from [Len] would allow anyone to design their own bellows more conducive to mechanization. [Len] says one of his inspiration is [Harry Partch] and his Blo-Boy, an organ powered by fireplace bellows. We think these squeeze balls are even better.
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[Dr. Suess] created memorable books with minimal words and bright artwork. He inspired children and adults alike, and one of them, [Len], grew up to create wind instruments for the Bellowphone channel on YouTube. Behind the whimsy of his creations is significant engineering, and this time, we get to see the construction of a fipple. The video is also shown after the break. Even though fipple sounds like a word [Dr. Suess] would have coined, it is a legitimate musical term that means a whistle-like mouthpiece. In this case, it blows air across glass jars to create the sound for [Len]’s bottle organ. Check out the second video below for a performance from The Magic Flute.
[Len] uses clear rigid PVC for the fipples and a custom forming die to shape them while they are soft. The rest is precision hand-tool work with a razor saw, hand file, and wet-dry sandpaper. Once complete, the fipple looks like any musical instrument part produced by exacting construction techniques. Making a mouthpiece is one thing, but if it is not directed correctly it will not make any sound, so we also learn how to turn steel strapping into an organ bottle assembly. If you add some tubing and rubber squeeze balls, you can make your own instrument.
Part of the reason the Bellowphone channel exists is that [Len] found a lot of support in the pipe organ community that showed him the secret inner workings of their livelihood and now is his chance to share that enthusiasm with the maker community.
Thank you for the tip, [Angeliki Beyko].
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Hack a Day
There are many venerable soundchips in the chiptune pantheon, of which the AY-3-8910 is perhaps one of the lesser known. Having not served on active duty for Nintendo or Commodore it’s somewhat unloved in the USA, but it made its name in a variety of arcade and pinball machines and has quite a European following due to its appearance in machines bearing the Amstrad and Sinclair names. [TheSpodShed] decided to whip up a USB MIDI interface for the chip, with the help of the Arduino Pro Micro.
The Arduino Pro Micro is a Sparkfun creation, using the ATmega32U4 microcontroller. Its USB MIDI functionality makes it a perfect candidate for such a build, and it also packs enough digital IO to run the AY-3-8910, with 13 lines required to get things going. [TheSpodShed] whipped up the project on protoboard, with only a few passives needed along with the sound chip and Arduino.
The Arduino code was written with an eye to making the most of the chip’s limited polyphony. The synth prioritises the most recent received notes, while also aiming to keep the highest and lowest of the currently requested notes still playing where possible. This gives the synth the best chance of keeping the expected bass and melody intact when playing a wide variety of MIDI content.
It’s a tidy build, and one that shows some love for a soundchip some have forgotten. Of course, it’s not the only option – we’ve also seen the SAM2695 and YM2612 given the same treatment. Video after the break.
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To the uninitiated an electric guitar seems fairly simple: you pluck a string and the electronics send the corresponding audio signal on the 6.3 mm jack output, all ready for for the amplifier to work its magic. Much of what makes a guitar like that sound good depends on the pickups, however. These are the devices which are placed between the guitar body and the strings. Depending on the guitar there can be one, two, or more of them, of varying types and configurations.
As a Gibson fan who upon getting introduced to a Fender Telecaster just had to replace its pickups with humbucking types, [Ken Willmott] found himself thrown into the wonderful world of pickup design and characterization. After two years of working through a number of designs and approaches, he eventually settled on a preamplifier design featuring a JFET opamp (LT1058) on a custom PCB which amplifies the pickup response from a test signal, acting as a front end signal conditioner.

The test signal is induced by an electromagnetic coil placed near the pickup-under-test (PUT), with this signal generated by the software on the PC – output via the audio card – or by a signal generator . The effect is similar to that of a metal string moving near the pickup while it’s generating its own EM field. The signal produced by the pickup is then amplified by the custom circuit, where it’s then fed back into the software for characterizing.
The take-away from this is that similarly to devices such as speakers, pickups will respond differently to specific frequencies due to their construction. This is why an original Fender Telecaster sounds so different from a standard Stratocaster model, and why each brand has their own sound courtesy of their preferred pickups. With a test setup such as what [Ken] has made one can figure out what a pickup will sound like without even installing it.
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It’s possible to pick up a low-cost set of speakers for a few dollars, but by and large, you don’t get a lot of quality for your money. Expect a small pair of drivers, with tinny sound and ugly noises from the enclosure’s cheap materials. [JSK-koubou] has shown us, however, that these speakers can become so much more.

The internal structure helps improve the frequency response.
In this case at least, the basic speaker drivers and electronics inside were passable. Harvesting these, the builder then proceeds to create a stunning pair of tuned wooden enclosures for the speakers. This is achieved with a routing template, large blocks of wood and plenty of elbow grease.
The internal structure makes a huge difference to the bass response of the speakers, allowing them to far more faithfully recreate the music under test. Thanks to the artisan-level craftsmanship, the final product is stunning to look at, too. It’s impressive just how well a cheap pair of drivers can perform with a proper enclosure, and of course, there’s nothing to stop an even better set of drivers being installed, either.
When building your own speakers, your creativity is the limit. Video after the break.
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Drum machines may seem like one of the many rites of passage for hardware makers, they’re a concept you can implement simply or take into the extreme making it as complex as you want. [Matt’s] DrumKid is one of them, and its long development history is wonderfully documented in the project logs.
[Matt’s] original intention was to use the automatic drummer as part of his band, wanting “the expressiveness of a good drummer but without the robotic tendencies of a simple drum machine”. For that, he created the first iteration of the DrumKid, a web-based project using the Web Audio API. The interface consisted of bars showing levels for different settings which could be intuitively tweaked, changing the probability of a drum sound being played. This gave the “drummer” its unpredictability, setting itself apart from any regular old drum machine.
Fast forward a few years, and [Matt] now wants to recreate his DrumKid as a proper piece of musical gear, porting the concept into a standalone hardware drum machine you can plug into your mixer. He decided to go with the Arduino framework for his project rather than the Teensy platform in order to make it cheaper to build. The controls are simplified down to a few buttons and potentiometers, and the whole thing runs off of three AAA batteries. Also, targeting the project for hardware like this allowed for new features to be added, such as a bit-crush filter.
We already saw the first prototype here on Hackaday when it was featured in a Hackaday Prize mentor session, and it’s nice to see how the project evolved since. After a number of revisions, the new prototype takes design cues from Teenage Engineering’s “Pocket Operator” drum machine, using the main PCB as its own faceplate rather than a 3D printed case in a familiar way we’ve seen before. Unfortunately, the latest board is non-functional due to a routing mistake, but you can see the previous working prototypes in his project logs.
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Hack a Day
If you’re into electronic music, chances are good that you like to roll your own. While step one is usually to build something, anything that makes sound, a natural step two is to build a looping device to extend and play with those sounds.
[Cutlasses] has finished version one of his Teensy-based Eurorack-style looper. He plugs in a thing, records some tunes, and the resulting loop gets divvied up into eight equal pieces. He can cut the loop together live using the eight buttons to jump around between sections. It supports unlimited overdubs, although too many will cause clipping. But hey, that just means free derivative sounds.
The looper records its audio to an SD card. Since this is typically a slow endeavor, [Cutlasses] used two circular buffers. One reads audio, and the other writes it. This took a lot of trial and error, which he may have to repeat with future SD cards.
[Cutlasses]’ plans for future versions include a separate audio CODEC for better sound, CV control, and a pedal option for hands-free operation. We’d love to hear some sweet Theremin loopage, wouldn’t you? Jog past the break to watch [Cutlasses] demo his looper with a kalimba and a DIY noise box that uses a string bow to make metal tines sing.
Feeling out of the music-making loop? There are (slightly) easier ways. Check out this LEGO looper or this multiplayer Pi-ano.
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Hack a Day
People love to talk about the weather. It’s the perfect small talk, whether you’re trying to start a conversation or keep one going by avoiding an awkward silence. In the same fashion, weather stations are an ideal starting point for any sort of sensor-related project ideas. You get to familiarizing yourself with communication buses, ADCs, general data acquisition, and you learn a lot in figuring out how to visualize it all.
What if your weather station didn’t visualize anything? [OttoNL] is answering that question with a MIDI-generating Weather Station that uses the mood of the music to convey the condition of the elements outside.
Using an ESP8266 programmed via the Arduino IDE, [OttoNL] hooked up a light dependent resistor, a rain sensor, and the all-round workhorse BME280 for temperature, barometric pressure, and humidity to it. Reading the sensors, the ESP will generate MIDI notes that are sent to a connected synthesizer, with each sensor influencing a different aspect of the generated MIDI signals. A sadder, slow tune will play during rain and a fast upbeat one during sunshine. While it doesn’t use the ESP’s WiFi functionality at all at this point, a future version could easily retrieve some weather forecast data from the internet and add it into the mix as well.
Connect this to your alarm clock, and you can start your day off in the appropriate mood. You can even customize your breakfast toast to really immerse your morning routine in abstract weather cues.
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Musical keyboards that light up the correct notes to play have long been touted as a quick and easy way to learn how to play. They’re also fun to look at. [Shootingmaker] has developed a similar concept, with a keyboard lookalike, covered in LEDs (Youtube video, embedded below).
The project consists of a PCB, in which the design of the mask imitates the white and black notes of a piano. This makes it look like a keyboard, but as far as we can tell, it doesn’t actually work as one. All the notes are fitted with APA102 addressable LEDs, under the control of a Teensy 3.2 board, operating in USB-MIDI mode. The Teensy receives MIDI data, and then directs the individual LEDs to flash in different colors based on which MIDI channel fired the note.
It’s a fun way to visualise MIDI data, and we think it would be even more fun combined with a basic synthesis engine to make some noise. We suspect it wouldn’t be too hard to integrate the project into an existing instrument, either. Software is available on Github for those interested in replicating the project. You can use MIDI to control neon lights, too.
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Every once in a while, we come across a project that adds a ridiculously good twist on an existing design. This is exactly what [Xiao Xiao] and the team at LAM research group at the Institut d’Alembert in Paris have done. Their project T-VOKS is a singing and Speaking Theremin that is sure to drive everyone in the office crazy.
For the uninitiated, the Theremin is an electronic music instrument that does not require physical contact. Instead, it uses two antennas to sense the distance of the operators hands and uses that to modulate the pitch and volume of the output audio. From music concerts to movie background music to even scaring the neighbours, this instrument can do it all.
T-VOKS is a different take on the instrument, and it interfaces with a voice synthesizer to sing. There is an additional sensor that is used for the syllable sequencing, and the video below shows the gadget in operation. The icing on the cake is the instrument playing, or should that be singing in an actual concert. There is also a research paper detailing the operation on Dropbox[PDF] if you need the nitty-gritty.
We wonder how a TTS engine would work with this idea and hope to see some more projects like it in the future. Fore those looking to get started, have a look at the build guide for a DIY theremin.
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Hack a Day
The number of easily usable and programmable microcontrollers is small, so when selecting one for a project there are only a handful of very popular, well documented chips that most of us reach for. The same can be said for most small companies selling electronics as well, so if you reach for a consumer device that is powered by a microcontroller it’s likely to have one of these few in it. As a result, a lot of these off-the-shelf devices are easy to hack, reprogram, or otherwise improve, such as the Robot Pocket Operator.
The Pocket Operator is a handheld, fully-featured synthesizer complete with internal speaker. It runs on a Cortex M3, a very popular ARM processor which has been widely used for many different applications, and features everything you would need for a synthesizer in one tiny package, including a built-in speaker. It also supports a robust 24-bit DAC/ADC and all the knobs and buttons you would need. And now, thanks to [Frank Buss] there is a detailed teardown on exactly how this device operates.
Some of the highlights from the teardown include detailed drawings of how the display operates, all of the commands for controlling the device, and even an interesting note about how the system clock operates even when the device has been powered off for a substantial amount of time. For a pocket synthesizer this has a lot to offer, even if you plan on using it as something else entirely thanks to the versatility of the Cortex M3.
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The ArduBoy is a tiny little gaming console that’s also extremely simple. It’s only a small, cheap, monochrome OLED display, a microcontroller with Arduino-derived firmware, and a few buttons. That’s it, but with these simple ingredients the community around the ArduBoy has created a viable gaming platform. It has cartridges now, and one version has a crank. Now, the MIDIboy is bringing something like the ArduBoy to the world of electronic music.
Inside the MIDIboy is what you would expect from any review of the ArduBoy schematics. There are six buttons, a speaker, a USB port, and a SPI OLED display. In addition to all of this are two big chonkin’ DIN-5 ports for MIDI in and MIDI out, and yes, the MIDI in port has an optoisolator.
As for what you can do with a tiny little game console connected to MIDI, there are already a few choice apps — the MIDI Chords app creates chords, obviously, and the MIDImon sketch is a MIDI monitor. There are some controllers for MIDI synths, and of course this device is completely open source. If you’ve ever wanted a DIY controller for your favorite MIDI synth, this is what you need.
If an ArduBoy with MIDI doesn’t sound exciting, just check out Little Sound DJ. That’s a Game Boy cartridge that turns your old brick Game Boy into a music production workstation. Yes, it sounds great and there’s a lot of potential in a pocket game console with MIDI ports.
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Wood. Specifically, certain types of tone woods; woods that impart a certain tone. That’s what guitars are made of. And occasionally, plastic, or metal, or fibreglass or, well, anything. [_forwardaudio_] built his out of noodles, because, why not?
Well, not completely out of noodles. Epoxy is used to give some strength to the noodles, because, despite the fantastic tone that noodles impart to the guitar, they’re not known for their strength. The epoxy helps keep the noodles in place, focusing their noodly tone.
To add a bit of punch to the look of the guitar, the back and front of the body have UV powder blended in, blue on the front and green on the back. Once the guitar was assembled, a set of UV strings were added as well, to add even more glowy goodness.
In the video (after the break) the build process is shown along with the simplified, volume only, wiring. At the end, [_forwardaudio_] noodles around on the guitar a bit.
I’ll show myself out.
If noodles aren’t your thing, maybe you’d prefer 3D printing an extended fretboard for your guitar, or to build yourself a 12 foot long guitar.
Via Reddit.
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Hack a Day
The hurdy gurdy is the perfect musical instrument. It’s an instrument with a crank, and a mechanical wonderment of drone strings and weird chromatic keyboards. No other musical instrument combines the sweet drone of bagpipes with the aural experience of an eight-year-old attempting to play Hot Cross Buns on a poorly tuned violin.
Now, the hurdy gurdy is going digital. The Digi-Gurdy is [XenonJohn]’s entry into this year’s Hackaday Prize, and it’s exactly what it says on the tin: it’s a musical instrument that drones on and on, with keys plunking out a melody.
If you’re not familiar with a hurdy gurdy, this video is a varily good introduction. It’s a box with somewhere between four and six strings mounted on the outside. The strings vibrate by means of a wooden wheel powered by a crank. There’s a keyboard of sorts along the body of the instrument that ‘fret’ a single string providing the melody; all the other strings are drone strings that sound continuously. I think it was in, like, a Led Zeppelin video, man.
While it’s a slightly complicated build to make an analog hurdy gurdy, delving into the digital domain is easy: [XenonJohn] is building a hurdy gurdy that simply outputs MIDI commands with some buttons and a Teensy 3.6 microcontroller. The parts are 3D printed, and since this hurdy gurdy is completely digital, you can change the tuning of the drone strings without actually tuning them. Awesome.
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Hack a Day
From building your own analog effects pedal to processing audio through micro controllers, a lot of musicians love building their own boxes of sound modification. In his entry for the 2019 Hackaday Prize, [Craig Hissett] has a project to build an all-in-one multi-effects stomp box.
At the center of the box is a Raspberry Pi with an AudioInjector stereo sound card. The card takes care of stereo in and out, and passing the signal to the Pi. The software is Modep, an open source audio processor that allows the setup of a chain of digital effects plugins to be run on the Pi. After finding some foot switches, [Craig] connected them to an Arduino Pro Micro which he set up as a MIDI device that sends MIDI messages to the Modep software running on the Pi.
There are still a few steps to go, but [Craig] has the basic layout covered. Next up is wiring it up and building a proper case for it, as well as working on latency. A few years ago, another multi-effects stomp box was featured in the Hackaday Prize, and last year, this multi-effects controller was featured.
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Hack a Day
Vinyl remains a popular format, despite taking a huge hit in popularity for a couple decades while CDs ruled the roost. It has a charm that keeps it relevant, and likely will continue to do so until everyone who grew up with a record player dies out. In the meantime, [sp_cecamp] has come up with a great way to experience your collection, with the magic of modern technology. It goes by the name of Plynth.
Fundamentally, it’s a small record stand with an excellent party trick. The prototype consists of a 3D-printed body, which holds a record sleeve at an attractive angle for display. A camera built into the base then images the artwork. The first image taken is run through the Google Vision API, and further images are then run through OpenCV to identify the record. This data is then passed to the Spotify API to play the track. The whole process takes a couple of seconds, and the music is then pumped out of whatever streaming device is connected to the rig.
It’s a fun way to play your old records, and would be a welcome change to those tired of screaming at Siri to play Weezer (Blue Album), not Weezer (Green Album). For those interested, [sp_cecamp] has thrown up a site to gauge interest in the project, and may make a limited production run in future.
Of course, you could instead just go about building your own turntable. To each their own!
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The word “tremolo” has a wide variety of meanings in the musical lexicon. A tremolo effect, in the guitar community at least, refers to a periodic variation in amplitude. This is often achieved with solid state electronics, but also recalls the sounds created by Hammond organs of years past with their rotating Leslie speakers. [HackaweekTV] decided to do things the old fashioned way, building a mechanical tremolo effect of his own (Youtube link, embedded below).
Electronically, the signal is simply passed through a linear audio potentiometer. The effect is generated by rapidly cycling this potentiometer up and down. The motion is achieved through a geared motor salvaged from a Roomba, which turns a cam. A sprung follower sits on top of the cam, and is attached to the potentiometer.
There were some challenges in development. Rigidity of the frame was an issue, and the follower had issues with snagging on the cam. However, with some careful iteration they were able to get everything up and running. The final project sounds great, and with the amplifier turned up, there’s no need to worry about the sound of the moving parts.
Naturally, you can always build a tremolo with a 555 instead. Video after the break.
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MIDI has been around for nearly forty years, but what do you do if you have an old ‘toy’ keyboard without MIDI? Or really any way to make it sound good? You could turn it into a player piano, and that’s exactly what [Alessandro] did with an old toy keyboard. It’s The Pianist Octopus, and it is perhaps the coolest, neatest pianist you’ve ever seen.
This build uses 24 individual 9 gram hobby servos, which of course means you need to drive those servos somehow. There are plenty of ways to attach a few servos to an Arduino board, but when you need to drive 24 servos, your options become somewhat limited. The electronics consist mostly of a Fishino Octopus, an Arduino shield that can drive sixteen individual servos. Slap two of these shields on an Arduino and you have something that will drive twenty four servos.
The mechanical part of the build consists of a 3D printed frame that allows the servos to be mounted across an arc, something like a harp. Metal rods connect the servos to tentacle-shaped actuators. These were designed in Google SketchUp and printed in PLA.
Attached to these servos and Arduino is a character LCD and a few buttons that allow the user to cycle through a few functions. The play button plays the current melody (based on old Nokia ringtones, by the way), a few more buttons adjust the position of the individual servos, and there’s another button to stop playing. Since this is a complete electronic-to-mechanical interface for a toy piano, a MIDI-in port isn’t out of the question; all a MIDI implementation would need to do is move a servo down on a note on event and move it back up on the note off event.
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Liner notes? Passé. In Berlin, the release of a special edition synth-wave record came with an accompanying experimental synthesizer called Wired Heart.
At the core of this adorable heart-shaped synth, designed by music technology enthusiast [tobi tubbutec], is the classic 74HCT14 chip with six Schmitt trigger oscillators. The bright red PCB has eight gold touch and humidity sensing pads that activate and modulate these oscillators. As well as changing the sounds by playing with pressure and conductive liquids you can use the six sets of header pins on board to plug in your own components for noisy experimentation. Wired Heart ships with LEDs, photoresistors and a potentiometer, but we’ve also plugged our own DIY fabric pressure sensors into this synth to make some excellent electronic sounds.
In the Hackaday.io post linked above, [tobi tubbutec] walks us through a number of the circuit design decisions he made while prototyping his “cardiotronic human-touch hexoscillatric stereo esoteric snythespacer”. We enjoyed his creative and sometimes unconventional designs, from his inclusion of non-functioning traces for aesthetic reasons to his chosen method of hard syncing — injecting a small pulse of one oscillator into the other. If you want to examine his layout in more detail, [tobi tubbutec] has helpfully included the KiCad schematic file in his write up.
This adorable, hackable synth caught our eye at this year’s SuperBooth — an annual indie electronic music conference in Berlin that’s well worth checking out if odd noises and handmade electronics are your thing — but it’s recently been listed on Tindie too. To listen to the upbeat synth-wave record Wired Heart originally shipped with, visit the artist Hyboid’s bandcamp.
If you’re interested in experimental musical instruments and synthy chip tune you’ll also love [jarek319]’s Sega Genesis synthesiser.
Check out a demo of the Wired Heart synth in the video after the break.
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If you listened to the National Weather Service Weather Radio in the US about 25 years ago, you’ll no doubt remember [Perfect Paul], one of the synthesized voices used to read current conditions and weather forecasts. The voice came from a DECtalk DTC01, a not inexpensive voice synthesizer first made in 1984 that also gave voice to [Stephen Hawking] for many years.
Long obsolete, the DECtalk boxes have a devoted following with hobbyists who like to stretch what the device can do. Some even like to make it sing, after a fashion, and [Michael] decided that making a DECtalk sing “Xanadu”, the theme song from the 1980 [Olivia Newton-John] musical extravaganza, was a good idea. Whether it actually was is debatable, and we’ll take exception with having that particular ditty stuck in our head as a result, but we don’t judge except on the merits of the hack.
It’s actually easy if you have a DECtalk; the song is a straight ASCII file with remarkably concise instructions on which phonemes the box needs to generate. Along with inflection, tone, and timing instructions, the text file looks almost completely unlike English while still somehow being readable. The DECtalk accepts the file over RS-232, which would be easy enough to do with a modern computer, but [Michael] upped his game a bit by using a TRS-80 Model 100 computer as a serial terminal. The synthesized song is in the video below, with the original included for reference by those who didn’t experience endure the late disco-era glory days.
DECtalks seem pretty rare in the wild, so we appreciate this glimpse at what they can do. There are other retro speech synthesizer hacks, though: the simulated walnut goodness of the Votrax and the MicroVox come to mind, as does the venerable TI Speak and Spell.
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Leapfrog make some pretty awesome kids electronics. Especially admirable is the low cost, the battery life, and the audio quality of these devices. This circuit bending hack takes advantage of those audio circuits by turning the Alphabet Pal into your lead vocalist. The performance in the demo video begins with some impressive tricks, but just wait for it because by the end the little purple caterpillar proves itself an instrument worthy of a position beside that fancy Eurorack you’ve been assembling.
The image above provides a great look inside the beastie. [Jason Hotchkiss] mentions he’s impressed by the build quality, and we have to agree. Plus, look at all of those inputs — this is begging to leave toyland and join the band. With an intuitive sense that can only be gained through lots of circuit-bending experience, he guessed that the single through-hole resistor on the PCB was used to dial in the clock speed. That made it easy to throw in a trimpot for pitch-bending and he moved on to figure out individual note control.
All of those caterpillar feet are arranged in a keyboard matrix to detect button presses. After pulling out the oscilloscope for a bit of reverse engineering, [Jason] grabbed a PIC microcontroller and added it to the same solder points as the stock ribbon connector. The result is that the buttons on the feet still work, but now the Alphabet Pal also has MIDI control.
Take a look at the writeup for full details, and the video after the break to hear it in action. If you’re a fan of circuit-bent toys, this pretty pink keyboard hack always impressed us, especially the spring reverb that was added!
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No drummer? No problem! With a little ingenuity, you can stuff the essentials of a drum kit into a box, and automate your rhythm section.
Mind you, [Franco Molina]’s “DrumCube” doesn’t quite have the flash of a human drummer, but it does keep a steady beat and has a charm of its own. The drum machine is mostly mechanical, reminding us somewhat of the Wintergatan Marble Machine which is as captivating to watch as it is to hear. The DrumCube has a snare drum played by two servo-controlled sticks, a kick drum using foam waggled back and forth between two piezo transducers hooked to a low-pass filter, and a reverse-biased transistor white noise generator used for the hi-hat. Sadly, the large gear appears to be just for show. An Arduino runs everything and makes sure the mechanical drum hits are synced to the electronic cymbals, which was no mean feat.
The video below shows it in action accompanying [Franco] on his guitar, and it looks as good as it sounds. Prefer a more compact, all-electronic drum kit? Here’s one that fits in your pocket.
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Cue up the [Christopher Walken] memes, it’s time for moped turn signals with more cowbell. Because moped turn signals with less cowbell are clearly the inferior among moped turn signals.
It seems that [Joel Creates] suffers from the same rhythm recognition disorder that we do. The slightest similarity between a rhythmic sound such as turn signals, and any song in our seemingly infinite intracranial playlist cues up that song for the rest of the day. [Joel] heard “(Don’t Fear) The Reaper” in his turn signals, and that naturally led to a need for More Cowbell. So with a car door lock actuator, a relay, an improvised clapper, and a lot of hot glue and cable ties, the front of his scooter is now adorned with a cowbell that’s synchronized to the turn signals. The video below shows that it’s of somewhat limited appeal in traffic, but at least [Joel’s dad] was tickled pink by it.
Kudos to [Joel] for marching to the beat of his own [Gene Frenkle] on this one. It may be a little weird, but not as weird as an Internet of Cowbells.
[Daniel] spotted this one for us. Thanks!
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[Eliot Curtis] found himself a little too close to 1960’s counterculture while restoring a vintage modular synthesizer — he began tripping out on acid. The instrument in question is a Buchla Model 100. The Buchla is a modular synth. Instead of a keyboard, it used capacitance-sensitive touch plates. This particular model 100 was purchased by California State University East Bay Campus. The synth was popular for a while, but eventually fell into disuse, and was stored in a classroom closet.
Modular synths are experiencing a renaissance, as can be seen right here on Hackaday. The Buchla was pulled out of storage and given a proper restoration. [Eliot Curtis] is the Broadcast Operations Manager at KPIX 5, the San Francisco CBS TV station. He also is the hacker who volunteered to restore the Buchla.
During the restoration, [Curtis] found residue and crystals stuck under one of the knobs of the Control Voltage Processing Module. Was it flux, conformal coating, or something else? [Eliot] hit the board with contact cleaner and wiped it down. Within 45 minutes, he was feeling a strange tingling. It was the beginning of a nine-hour LSD trip. Three independent tests on the module came back positive for LSD.
Lysergic acid diethylamide (LSD for short) can be readily absorbed through the skin, which is exactly what happened to [Eliot]. Synth designer [Don Buchla] was friends with [Owsley Stanley], who worked for the Grateful Dead and allegedly cooked up some very potent LSD. Some of Buchla’s modules even found their way into Ken Keesey’s hands, where they wound up on his famous bus “further”. As it turns out there were rumors that modules had been dipped in LSD back in the ’60s. Why someone would do that to an electronic module, we’re not sure — they must have been on drugs. [Eliot] recovered from his brush with the ’60s and continued with the restoration with gloves on.
If there is a moral here, it should be to take precautions when working on equipment which might contain dangerous substances. We’ve learned this lesson ourselves cracking open broken laptops. You might find anything from coffee to soda, to pet urine or worse. A box of nitrile gloves definitely should be standard equipment in any hacker’s lab.
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CDs were a great advancement in audio quality when they were first put on the market. There’s no vinyl-style degradation of the medium if it’s played over and over, and there’s no risk of turning them into a giant pile of ribbon while rewinding like a cassette tape. The one downside was that if you were to take them on the move you needed special hardware and software to prevent the inevitable skipping. If you look at the skipping not as a downside, though, but as a way to produce interesting music, you might end up with a pretty unique piece of hardware.
[Dmitry] is known for his interesting art installations, and the latest one uses parts from three 1988 Sony D2 CD players that have been reassembled in order to take advantage of a skipping and glitching CD. The modified equipment is able to play during pause or rewind thanks to a processor modification, and can also change the rotational speed of the disc. There are other pieces of hardware included for more fine control of glitching and skipping of the audio being read off of the CD.
The new device functions as a working musical instrument, although [Dmitry] says that it is more useful for deconstructing the information stored on the disc, and exploring the medium itself. Of course if you have enough motivation, you can find sounds from almost anywhere on (or in) the planet too.
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It’s one thing to assemble your own circuits from scratch using off the shelf components. It’s quite another to build the components first, and then build the circuit.
That’s the path [Joris Wegner] took with this video distortion effects box, dubbed PHOSPHOR. One might wonder why you’d want a box that makes a video stream look like playback from a 1980s VHS player with tracking problems, but then again, audio distortion for artistic effect is a thing, so why not video? PHOSPHOR is a USB MIDI device, and therein lies the need for custom components. [Joris] had a tough time finding resistive optoisolators, commonly known as Vactrols and which are used to control the distortion effects. He needed something with a wide dynamic range, so he paired up a bright white LED and a cadmium sulfide photoresistor inside a piece of heat shrink tubing. A total of 20 Vactrols were fabricated and installed on a PCB with one of the coolest silkscreens we’ve ever seen, along with the Sparkfun Pro Micro that takes care of MIDI chores. Now, distortions of the video can be saved as presets and played back in sync with music for artistic effects.
This isn’t the first time Vactrols have made an appearance here, of course. We saw them a while back with this Arduinofied electric guitar, and more recently with a triple-555 timer synth.

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The Sinclair ZX Spectrum was a popular computer in the 8-bit era, and particularly so in its homeland of the United Kingdom. It was known more for its low cost than its capabilities, but it gained many add-ons over the years. One of those was the Cheetah SpecDrum, which turned the Spectrum into a rudimentary drum machine. [PianoMatt] wasn’t happy with the original drum samples, so he set about loading a custom kit into the SpecDrum.
The SpecDrum software initially came with extra sample tapes, so [PianoMatt] knew it was an achievable task to load in custom samples. Starting by loading the software in an emulator, the RAM was then exported as raw data and loaded up in Audacity. After some experimentation, it was determined the samples were stored in 8-bit format at a sample rate of approximately 20 kHz. With this figured out, it was then possible to load replacement samples directly into RAM through the emulator.
However, this wasn’t enough for [PianoMatt]. Further digging enabled him to reverse engineer the format of the replacement sample tapes. Armed with this knowledge, [PianoMatt] then generated his own tape, complete with proper headers and labels for each drum sound.
It’s a tidy effort to bring a more modern sound to a now positively ancient piece of hardware. We’d love to hear a track with drums courtesy of the SpecDrum, so we’ll keep an ear out on Soundcloud. Mucking around with old sound hardware is a popular pastime in these parts – we’ve even seen people go so far as to build bespoke Sega chiptune players from scratch.
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Making waves in the music world is getting harder. Almost anyone who has access to the internet also has access to a few guitars and maybe knows a drummer or can program a drum machine. With all that competition it can be difficult to stand out. Rather than go with a typical band setup or self-producing mediocre rap tracks, though, you could build your own unique musical instrument from scratch and use it to make your music, and your live performances, one-of-a-kind.
[pedrooconnell]’s instrument is known as the Rhysonic Wheel, which he created over the course of a year in his garage. The device consists of several wheels, all driven at the same speed and with a common shaft. At different locations on each of the wheels, there are pieces of either metal or rubber attached to strings. The metal and rubber bits fling around and can strike various other instruments at specified intervals. [pedrooconnell] uses them to hit a series of percussion instruments, a set of bells, and even to play a guitar later on in the performance.
While it looks somewhat dangerous, we think that it adds a level of excitement to an already talented musical performance. After all, in skilled hands, any number of things can be used to create an engaging and unparalleled musical performance with all kinds of sounds most of us have never heard before.
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[Aidan] is really into FM synthesis chips for creating audio, and one of the most interesting chips from that era is found on the Sega Genesis. Anyone involved in the console wars at that time certainly remembers the classic, unique sound that those video game systems were able to produce, so [Aidan] built a device using a sound chip from a Genesis to play any piece of music from any game. The second iteration of that project, though, is able to use those same sound files as a MIDI synthesizer.
The interesting aspect of these chips is how they use registers to change the audio output. Essentially, there is a complicated register map (one section of his write-up is simply called “Register Hell”) that can be called in order to access the various types of effects one would normally see on a synthesizer. It’s not straightforward at all, though, and got even more complicated once [Aidan] started adding MIDI functionality to it as well. Once he finished sifting through the Sega Genesis technical manuals and a bunch of registers, though, he had a unique synthesizer working that doesn’t sound like anything you’ve ever heard, unless you’ve ever played a Genesis.
If you’d like to check out his first project, the MegaBlaster, which plays the sound files of the old Genesis games directly, we featured that a while ago. Keep in mind though that his latest project isn’t just an updated MegaBlaster, though. He built this entire thing from the ground up.
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As far as marble runs go, few can hope to compete with [Wintergatan]’s amazing musical works. While undertaking the build of the Marble Machine X, timing problems became apparent. You can crank the machine faster or slower to alter the tempo, but the time it took marbles to drop due to gravity and hit an awaiting drum remains constant. You can’t control gravity, so you look to a mechanical solution in adjusting marble drops. In music, as in a jewel heist, timing is everything. Thankfully, [Machine Thinking] was on hand to collaborate, and a solution was found in the form of a beautifully machine indexable clutch.
The duo came together and designed a clutch, that would allow the timing relationship between various parts of the Marble Machine X to be varied. At 7:10 into the Wintergatan video below he gets down to brass tacks on how this brass music timing clutch actually works. At 90 BMP, the clutch allows the synchronization of the machine to be altered in approximately 10ms increments. Without this vital addition, drum beats would tend to slip out of time.
It’s a part that would challenge the novice, requiring the cutting of teeth and the inscription of accurate markings to allow it to do its job. However, it’s no trouble for [Machine Thinking], who shared a video of the machining process, including the outsourcing of the hand-engraved dial numbers.
Such a piece takes significant work to produce, and yet it is just one part of a much larger machine. We can’t wait to see the Marble Machine X finished, but if you’re unfamiliar with [Wintergatan]’s earlier works — you’re in for a treat.
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While at the Hacker Hotel camp in the Netherlands back in February, our attention was diverted to an unusual project. [Niklas Fauth] had bought along a Tesla coil, but it was no ordinary Tesla coil. Instead of the usual tall coil and doughnut-shaped capacity hat it took the form of a stack of PCBs with spacers between them, and because Tesla coils are simply cooler that way, he had it playing music as an impromptu MIDI-driven plasma-ball lousdpeaker. Now he’s been able to write up the project we can take a closer look, and it makes for a fascinating intro not only to double-resonant Tesla coils but also to Galium Nitride transistors.
The limiting factor on Tesla coils comes from the abilities of a transistor to efficiently switch at higher frequencies. Few designs make it above the tens of kHz switching frequencies, and thus they rely on the large coils we’re used to. A PCB coil can not practically have enough inductance for these lower frequencies, thus Niklas’ design employs a very high frequency indeed for a Tesla coil design, 2.6 MHz with both primary and secondary coils being resonant. His write-up sets out in detail the shortcomings of conventional MOSFETS and bipolar transistors in this application, and sets out his design choices in using the GaN FETs. The device he’s using is the TI LMG5200 GaN half-bridge driver, that includes all the necessary circuitry to produce the GaN FET’s demanding drive requirements.
The design files can be found in a GitHub repository, and you can see a chorus of three of them in action in the video below. Meanwhile [Niklas] is a prolific hardware hacker whose work has appeared on these pages in the past, so take a look at his ultrasonic phased array and his x-ray image sensor work.
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The Korg DW-6000 is an entry-level synthesiser from the mid 1980s that has the classic sounds, but not enough of them. At least that was [Mateusz Kolanski]’s view, as he hacked his model with a 16-fold increase in its wavetable memory.
At the heart of the DW-6000 is NEC’s UPD7810 16-bit microcontroller, a device stuffed with ports aplenty. The Korg doesn’t use all of those ports, so he was curious as to whether its relatively small 256 kbit ROMs could be upgraded to something much bigger with the use of four unused lines to drive their addresses. This proved to be no easy task, not least because the UPD7810 is hardly a chip with a lot of published work to learn from. A manual for it came from an unexpected source: an obscure game console used it so there is support within MAME.
A significant quantity of hardware reverse engineering and software experimenting later, and he had a ROM piggyback board to plug into his lightly-modified DW-6000. The initial model used stripboard, but naturally a decent PCB was created. That might be everything, but of course some means of working with those samples was required. Enter a Windows wavetable editor and organiser to create new ROM images, for the complete DW-6000 upgrade kit.
This project took several years, proving that persistence can pay off. If you’re not used to the way microcontrollers did their interfacing back in the 1980s then it’s definitely worth a read even if old synths aren’t your thing.
This isn’t the first bit of Korg reverse engineering we’ve brought you, either.
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This goes back to Bach: if you want to change the sound an organ makes, you have to pull on some drawbars. This design didn’t change for 300 years, and in the 20th century with the advent of ‘tonewheel’ organs, you still had small bars to pull to change what sounds came out of the organ. While this was a simple solution for air-powered organs of the 1700s, when it comes to MIDI, rotary pots are a lot less expensive than linear pots. Given the lack of drawbar MIDI controllers, [Stefano] decided to build his own. It has nine drawbars and eight buttons, all connected to MIDI.
The interesting electromechanical part of this build, the drawbars themselves, are ripped from a Hammond organ. Don’t worry, plenty of these were made and only a handful actually sound good. To that, [Stefano] added a few pushbuttons soldered onto a piece of perfboard, and everything is wired up to a Teensy LC, the microcontroller platform that’s becoming the standard for everything from MIDI controllers to computer keyboards. MIDI over DIN and MIDI over USB are supported, and all the buttons and drawbars are individually programmable. You can even do that through SysEx messages, because that’s how things were done back in the day.
While there are a few MIDI-controlled organs that still use drawbars — the double manual Nord comes to mind imminently — this is a great solution to putting drawbars into anything that speaks MIDI, VSTs included.
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Pickups are a key part of an electric guitar’s sound. You can spend a king’s ransom on tracking down just the right Vintage American Original 1950s Whatevers (TM) to put in your Spudocaster, but it’s not the only way. [Keith Decent] decided to make a pickup from scratch, using only materials found lying around the workshop. (Youtube, embedded below).
To build a pickup, you’ll want some magnet wire. In this case, [Keith] harvests this from an old transformer. A pickup body is then constructed from an old wooden ruler and some machine screws. A drill is used to spin the pickup body while the wire is roughly wound on, and everything is then held together with lashings of hot glue.
It’s a grungy build with a very Mad Max vibe – with the perfect aesthetic to suit [Keith]’s junkbox guitar build. The sound is good, but difficult to rate accurately when used on a guitar with slightly imperfect intonation. We’d love to hear it installed on a well-tuned body to get a better comparison.
It goes to show you don’t need to spend money on new parts and tools to get a build started. Sometimes you can make something perfectly functional with stuff you have lying around at home. Video after the break.
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All the best retro-1980s chiptune acts should possess a keytar. It’s the Law, or something. [Theremin Hero] has reminded us of this with a new video we’ve shown below featuring an instrument he had a part in creating alongside [Sam Wray] and [Siddharth Vadgama] a few years ago. The Blade is a 3D-printed keytar featuring two Guitar Hero necks and an integrated pair of Game Boys to provide the sound from the authentic silicon.
To describe it in those terms though is to miss a wealth of other components and featured. The keyboard itself is from a Rock Band keytar which feeds MIDI to a Raspberry Pi running PD Extended that handles all the button press mappings. An Arduino Mega performs the same task for the two Guitar Hero necks. Midi from the various sources is processed by an Arduino Boy which then feeds the Game Boys that make the sounds. Oh – and there’s a Leap Motion 3D motion controller in the mix as well, though that doesn’t seem to be used directly in the chiptune synth functionality.
We’ve had a few keytars here over the years, but this one makes us think of the Commodore 64 instrument created by [Jeri Ellsworth].
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If you’re looking to make money in electronics, there’s no better market than guitar pedals and modular synths. The margins are high, and all the consumers are otakus who will spend outrageous amounts of money chasing the next big thing. The products are just one step above audiophile wank with zero oxygen cables, and if your opamp sounds ‘more transparent’, you’re going to make a fortune, never mind how something can sound more transparent, whatever that is to begin with.
If you want to do something really cool, build a delay, because everyone needs another delay. If you want to build the latest in delay technology, just grab a PT2399 chip. That’s what ElectroSmash did with their Open Source Time Manipulator delay. Everything’s right there, all the parts of the circuits are described, and you too can become an effects pedal engineer.
This pedal is based on the PT2399 chip from Princeton Technology, a digital delay chip that can be used with something that sounds like an old-school bucket brigade chip or something resembling a tape echo. As a digital chip, you’ve also got the clean, clear sounds of a digital delay, with just a few tweaks of the circuit. We’ve taken a look at the PT2399 before, but surprisingly not many people are sharing their secrets.
The circuit for the ElectroSmash Time Manipulator is built around the ATMega328, the same chip in the Arduino Uno, with two PT2399s that can be configured to operate in serial or parallel for everything from a slapback echo to a 600ms digital delay. If you set everything right, you can get choruses, reverbs, or some psychobilly flange-ish sounds.
The entire circuit is open, with a board designed in KiCad, the code is right there written in C, and the only hard-to-replicate tech is the PT2399 chip itself, which can be had from the usual vendors for less than a dollar a piece. It’s a great pedal, and be sure to check out the video below.
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[Michael Sobolak] has a penchant for pianos, concern for capacitive touch, and special sentiment for solid state. This alliterate recipe results in a DIY PCB piano that leaves out the levers and is barren of buttons unless you count the stock RESET button on the Teensy. A real stickler might …read more
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For every project that uses an Arduino to make soup or an ESP8266 to hash bitcoin, there’s always someone out there uttering the same old refrain. I could have done it with a 555. More often than not, this is true, even if it is tangential to the discussion being …read more
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MIDI has been a remarkably popular interface since its inception way back in 1983. Based on existing serial interfaces, and with a broad enough set of features, it remains the defacto standard for communication between musical gear. However, older gear and many modular synths simply don’t grok digital data, instead …read more
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Traditional musical instruments have a variety of interfaces, some simple, some complex. The piano is a fairly intuitive machine with a key for every note and a couple of pedals you can ignore if you like. The saxophone is a little more complex, with its many interoperable keys used to …read more
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Generating random data is incredibly hard, and most of the random data around you isn’t truly random, but merely pseudo-random. For really random data, you’ll have to look at something like radioactive decay or *holds up spork* something like this. YouTube commenters will also suffice. The idea of using random …read more
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We’re partial to musical instrument hacks around here, mainly because we find instruments to be fascinating machines. Few are more complex than the piano, and, as it turns out, few are quite so hackable. Still, we have to admit that this ragtime piano hack took us by surprise.
We always …read more
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Modular synthesizers have been around since the early 1960s, delivering huge tonal possibilities from their impressive and imposing patchbays. In 1996, the Eurorack standard was launched, and has become the go-to choice for enthusiasts new to the world of modular synthesis. [Rich Heslip] is just one such enthusiast, and has …read more
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[Maurin Donneaud] has clearly put a lot of work into making a large flexible touch sensitive cloth, providing a clean and intuitive interface, and putting it out there for anyone to integrate into their own project.. This pressure sensing fabric is touted as an electronic musical interface, but if you only think about controlling music, you are limiting yourself. You could teach AI to land a ‘copter more evenly, detect sparring/larping strikes in armor, protect athletes by integrating it into padding, or measure tension points in your golf swing, just to name a few in sixty seconds’ writers brainstorming. This …read more
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The gold standard for laser light shows during rock concerts is Pink Floyd, with shows famous for visual effects as well as excellent music. Not all of us have the funding necessary to produce such epic tapestries of light and sound, but with a little bit of hardware we can get something close. [James]’s latest project is along these lines: he recently built a laser light graphical equalizer that can be used when his band is playing gigs.
To create the laser lines for the equalizer bands, [James] used a series of mirrors mounted on a spinning shaft. When a …read more
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Houston’s historic third ward, aka “The Tre,” is ripe rife with history, and some of that history is digitally preserved and accessible through an art installation in the form of repurposed payphones. We love payphones for obvious reasons and seeing them alive and kicking warms our hearts. Packing them with local history checks even more boxes. Twenty-four people collaborated to rebuild the three phones which can be seen in the video after the break, including three visual artists, three ambassadors, and eighteen residents who put their efforts into making the phones relevant not only to the ward but specifically to …read more
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Hack a Day
If there’s a happier word ever imported into the English language than “Glockenspiel”, we’re not sure what it is. And controlling said instrument with a bunch of servos and an Arduino makes us just as happy.
When [Leon van den Beukel] found a toy glockenspiel in a thrift store, he knew what had to be done – Arduinofy it. His first attempt was a single hammer on a pair of gimballed servos, which worked except for the poor sound quality coming from the well-loved toy. The fact that only one note at a time was possible was probably the inspiration …read more
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Hack a Day
Nothing says Rockstar Musician Lifestyle like spreadsheet software. Okay, we might have mixed up the word order a bit in that sentence, but there’s always Python to add some truth to it. After all, if we look at the basic concept of MIDI sequencers, we essentially have a row of time-interval steps, and depending on the user interface, either virtual or actual columns of pitches or individual instruments. From a purely technical point of view, spreadsheets and the like would do just fine here.
Amused by that idea, [Maxime] wrote a Python sequencer that processes CSV files that works with …read more
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Hack a Day
Chiptune is a musical genre built upon the creation of music through the use of chip-based sound synthesizers, found in early game consoles. The Commodore 64’s venerable SID chip and the Game Boy Sound System are the by far the most popular on the scene. However, the Sega Genesis took a different path at the end of the videogame chipmusic era, packing a YM2612 FM synthesis chip to deliver fat basslines and searing solos. [Thea] has always been a fan of these electric 90s sounds, and thus decided to build the Genesynth.
The synth initially allowed only for playback of …read more
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Hack a Day
Cargo pants can fit drumsticks in the pockets if you don’t mind them sticking out. They can also hold this drum set and still have enough room for a pair of headphones, some pens, and a small notebook. At least, guy’s cargo pants can fit all that. Now your pocket is decked out with enough music gear to compose and drum few drum loops and even scribble some notes. We can’t speak for [Tomash Ghz] carrying a notebook, but he wanted a drum set in his pocket badly enough to make a custom circuit board to bring to the 2017 …read more
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Hack a Day
MIDI was introduced at the 1983 NAMM show as a means to connect various electronic instruments together. Since then, our favorite five-pin DIN has been stuffed into Radio Shack keyboards, MPCs, synths, eurorack modules, and DAWs. The standard basically hasn’t changed. Sure, we have MIDI SysEx messages to configure individual components of a MIDI setup, but at its core, MIDI hasn’t changed since it was designed as a current-loop serial protocol for 8-bit microcontrollers running at 1 MHz.
Now, ahead of the 2019 NAMM show, the MIDI Manufacturers Association (MMA) in conjunction with AMEI, Japan’s MIDI Association, are announcing MIDI …read more
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Hack a Day
T-Pain is rapper hailing from Florida, who made his name through creative use of the Autotune effect. Nobody quite does it like T-Pain to this day, but kids the world over got the chance with the release of the “I Am T-Pain” microphone, which puts effects on the user’s vocal to make them sound as fly as possible, batteries not included. In the spirit of musical exploration, [Simon] decided it would be interesting to turn the effect into a guitar pedal.
Initial plans were to wire the microphone to an input jack, and the speaker to an output jack, but …read more
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Hack a Day
Eurorack synthesizer builds are known for a lot of things; simplicity isn’t necessarily one of them. However, not everything on a modular synthesizer build has to be inordinately complicated, a mess of wires, or difficult to understand. [little-scale] has built a neat and tidy module that might just find a place in your setup – the Chromatic Drum Gate Sync. The handy little device is based on a Teensy, and uses its USB MIDI libraries to make synchronizing hardware a snap.
The device has 12 channels, each responding to a single MIDI note. A note on message is used to …read more
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Hack a Day
We’re not sure what it is, but something about LEGO and music go together like milk and cookies when it comes to DIY musical projects. [Paul Wallace]’s Lego Music project is a sequencer that uses the colorful plastic pieces to build and control sound, but there’s a twist. The blocks aren’t snapped onto anything; the system is entirely visual. A computer running OpenCV uses a webcam to watch the arrangement of blocks, and overlays them onto a virtual grid where the positions of the pieces are used as inputs for the sequencer. The Y axis represents pitch, and the X …read more
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Hack a Day
Part of the fun of watching action movies is imagining yourself as the main character, always going on exciting adventures and, of course, being accompanied by the perfect soundtrack to score the excitement and drama of your life. While having an orchestra follow you around might not always be practical, [P1kachu] at least figured out how to get some musical orchestration to sync up with how he drives his car, Fast-and-Furious style.
The idea is pretty straightforward: when [P1kachu] drives his car calmly and slowly, the music that the infotainment system plays is cool and reserved. But when he drops …read more
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Hack a Day
If you think that this scratch instrument looks as though it should be at least… three times larger in order to be useful, you’d be wrong. This mighty pocket-sized instrument can really get the club hopping despite its diminuitive size. Despite that, the quality of the build as well as its use of off-the-shelf components for almost every part means that if you need a small, portable turntable there’s finally one you can build on your own.
[rasteri] built the SC1000 digital scratch instrument as a member of the portabilist scene, focusing on downsizing the equipment needed for a proper …read more
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Hack a Day
One of the most common uses of neural networks is the generation of new content, given certain constraints. A neural network is created, then trained on source content – ideally with as much reference material as possible. Then, the model is asked to generate original content in the same vein. This generally has mixed, but occasionally amusing, results. The team at [Made by AI] had a go at generating Christmas songs using this very technique.
The team decided that the easiest way to train their model would be to use note data from MIDI files. MIDI versions of Christmas songs …read more
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Hack a Day
Eurorack has taken over the synthesizer community, and hundreds of people are building their own eurorack modules. [Michael Forrest] designed and built his own Eurorack sequencer module that doesn’t use weird things like capacitors and chips to store a signal. Instead, he’s doing it with stepper motors and some clever engineering.
The basic idea of a Eurorack sequencer is to somehow store a series of values and play them back repeatedly. Connect that sequence to a clock, and you get the same pattern of sounds out of your synth. This can be done digitally with a circular buffer, in the …read more
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Hack a Day
The original Nintendo Gameboy is perhaps one of the most revered platforms for the music known as chiptune. Primarily, artists will use the console with software like LSDJ or Nanoloop to produce their compositions. Some artists will even use two consoles when performing live. However, that’s all fairly quaint as far as [LOOK MUM NO COMPUTER] is concerned.
Back in 2016, a rig was constructed with three Gameboys. With each console having 3 oscillators and a noise channel, this gave plenty of scope. There was even a facility to detune the oscillators for a fatter sound.
Yet there remains a …read more
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Hack a Day
Back before we all pirated FruityLoops, before ProTools, and before VSTs and DAWs, audio recording was much, much cooler. Reverbs were entire rooms. Sometimes they were springs. Sometimes, in the high-end music studios, reverbs were plates. These plate reverbs were simply a gigantic sheet of metal mounted in a box about ten feet long, four feet high, and a foot thick. Inside, you had some transducers, some pickups, and not much else. Send a signal into the plate reverb and it will bounce around on this flexible membrane, and emerge through the output in a suitably reverberant form.
Of course, …read more
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Hack a Day
When it comes to guitar effects pedals, the industry looks both back and forward in time. Back to the 50’s and 60’s when vacuum tubes and germanium transistors started to define the sound of the modern guitar, and forward as the expense and rarity of parts from decades ago becomes too expensive, to digital reproductions and effects. Rarely does an effects company look back to the turn of the 19th century for its technological innovations, but Zvex Effects’ “Mad Scientist,” [Zachary Vex], did just that when he created the Candela Vibrophase.
At the heart of the Candela is the lowly …read more
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Hack a Day
Is there no occupation safe from the scourge of robotic replacement? First it was the automobile assemblers, then fast food workers, and now it’s the — mandolin players?
Probably not, unless [Clayton Darwin]’s mandolin playing pluck-bot has anything to say about it. The pick-wielding delta-ish robot can be seen in action in the video below, plucking out the iconic opening measures of that 70s prom-theme favorite, “Colour My World.” The robot consists of two stepper motors connected to a hinged wooden arm by two pushrods. We had to slow the video down to catch the motion, but it looks like …read more
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Hack a Day
With his latest project, [Roni Bandini] has simultaneously given the world a new type of audiobook and music. Traditional audiobooks are basically the adult equivalent of having somebody read you a bedtime story, but BookSound actually turns the written word into electronic music. You won’t be able to boast to your friends that as a matter of fact, you have read that popular new novel, but at least you might be able to dance to it.
[Roni] says he’s still working on perfecting the word to music mapping, so the results shown in the video after the break are still …read more
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Hack a Day
A piano’s keyboard doesn’t make sense. If you want to want to play an F major chord, just hit an F, an A, and a C — all white keys, all in a row. If you want to play a B major chord, you hit B, a D#, and an F#. One white key, then two black ones. The piano keyboard is not isomorphic, meaning chords of the same quality have different shapes. For their entry into the Hackaday Prize, [CSCircuits] and their crew are working on a keyboard that makes chords intuitive. It’s called the Kord Kontroller, and it’s …read more
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Hack a Day
For Hackaday readers who might not spend their free time spinning electronic beats at raves, the Launchpad by Novation is a popular peripheral for creating digital music with tools such as Ableton Live. It’s 8×8 grid of RGB LED backlit buttons are used to trigger different beats and clips by sending MIDI commands to the computer over USB. While not a strict requirement for performing digital music, it also helps that it looks like you’re flying a spaceship when using it.
It’s definitely a slick piece of gear, but the limited stock functionality means you’re unlikely to see one outside …read more
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Hack a Day
For one reason or another, electronic synthesizing musical instruments are mostly based around the keyboard. Sure, you’ve got the theremin and other oddities, but VCAs and VCFs are mostly the domain of keyboard-style instruments, and have been for decades. That’s a shame, because the user interface of an instrument has a great deal to do with the repertoire of that instrument. Case in point: [jaromir]’s entry for the Hackaday Prize. It’s an electronic analog synth, in cello form. There’s no reason something like this couldn’t have been built in the 60s, and we’re shocked it wasn’t.
Instead of an electrified …read more
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Hack a Day
The theremin is, for some reason, what people think of first when they think of electronic musical instruments. Maybe that’s because it was arguably the first purely electronic musical instrument, or because there’s no mechanical analog to something that makes sound simply by waving your hand over it. This project takes that idea and cranks it up to eleven. It’s a portable synthesizer that’s controlled by IR reflectors. Just wave your hand in front of it, and that’s what pitch is going to sound.
The audio hardware for this synth is, like so many winners in the Musical Instrument Challenge …read more
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Hack a Day
Thirty years ago, we would be lucky if a computer could play audio. Take a computer from twenty years ago, and you’ll be lucky if it can play an MP3 in real-time. Now, computers can handle hundreds of tracks of CD-quality audio, and microcontrollers are several times more powerful than a desktop computer of the mid-90s. This means, of course, that microcontrollers can do audio very, very well. For his entry to the Hackaday Prize, [Fabien] is capitalizing on this power to create a Swiss Army knife of audio synthesis. It’s called the Noise Nugget, and it’s just what you …read more
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Hack a Day
There are only so many ways to generate music with a computer, and by far the most popular method is MIDI. It’s been around for thirty-five years, and you don’t get to be a decades-old standard for no reason. That said, turning MIDI into audio is a pain, but this project in the Musical Instrument Challenge for the Hackaday Prize makes it easy. It’s a Fluxamasynth Module that turns MIDI into something you can hear.
The key to this build is a single chip that takes MIDI data in and spits out audio, according to the 128 general MIDI sounds. …read more
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Hack a Day
When it comes to music, the human voice is the most incredible instrument. From Tuvan throat singing to sopranos belting out an aria, the human vocal tract has evolved over millions of years to be the greatest musical instrument. We haven’t quite gotten to the point where we can implant autotune in our vocal cords, but this project for the Hackaday Prize aims to be a bridge between singers and instrumentalists. It’s a hands-free instrument that relies on vocal gesture sensing to drive electronic musical instruments.
The act of speaking requires dozens of muscles, and of course no device that …read more
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Hack a Day
Stylish! is a wearable music synthesizer that combines slick design with stylus based operation to yield a giant trucker-style belt buckle that can pump out electronic tunes. With a PCB keyboard and LED-surrounded inset speaker that resembles an eyeball over a wide grin, Stylish! certainly has a unique look to it. Other synthesizer designs may have more functions, but certainly not more style.
The unit’s stylus and PCB key interface resemble a Stylophone, but [Tim Trzepacz] has added many sound synthesis features as well as a smooth design and LED feedback, all tied together with battery power and integrated speaker …read more
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Hack a Day
Want to sound great on a Piano using only your coding skills? Enter Piano Genie, the result of a research project from Google AI and DeepMind. You press any of eight buttons while a neural network makes sure the piano plays something cool — compensating in real time for what’s already been played.
Almost anyone new to playing music who sits down at a piano will produce a sound similar to that of a cat chasing a mouse through a tangle of kitchen pots. Who can blame them, given the sea of 88 inexplicable keys sitting before them? But they’ll …read more
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Hack a Day
For [Dejan]’s entry to the Musical Instrument Challenge in this year’s Hackaday Prize, he’s tapping into some of the great work that has been done over the years to bring bleeps and bloops to the masses. He’s building a drum machine, a bass synth, and an arpeggiator that fits in your pocket, in a handy form factor that fits in an Altoids tin. It’s the FATCAT Altoids Tin Mod Tracker.
This is a simple build meant to fit in an Altoids tin, so you’re not getting a whole lot of hardware here. There’s a battery, there’s a boost circuit, and …read more
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Hack a Day
The GePS is a musical project that shows how important integration work is when it comes to gesture controls. Creators [Cedric Spindler] and [Frederic Robinson] demonstrate how the output of a hand-mounted IMU (Inertial Measurement Unit) and magnetometer can be used to turn motion, gestures, and quick snap movements into musical output. The GePS is designed to have enough repeatability and low enough latency that feedback is practically immediate. As a result, it can be used and played like any other musical instrument that creates sound from physical movements in a predictable way. It’s not unlike a Theremin in that …read more
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Hack a Day
If you’ve never heard a hurdy-gurdy before, you’re in for a treat. Not many people have, since they’re instruments which are uncommon outside of some eastern European communities. Think of a violin that replaces the bow with a hand-cranked wheel, and adds some extra strings that function similar to drones on a bagpipe. The instrument has been around for hundreds of years, but now it’s been given an upgrade via the magic of MIDI.
All of these new features come from [Barnaby Walters] who builds hurdy-gurdys by hand but has recently been focusing on his MIDI interface. The interface can …read more
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Hack a Day
When you think about singer-songwriters, the name Bob Dylan might come to your mind. You might think about Jeff Buckley, you might think about Hank Williams, Springsteen, David Bowie, or Prince. You’d be wrong. The greatest singer-songwriter of all time is Tiny Tim, the guy who looks like Weird Al traveled in time and did a cameo in Baker-era Doctor Who. Tiny Tim had the voice of an angel, because Mammon and Belial were angels too, I guess. Tiny Tim is also the inspiration behind the current resurgence of the ukulele, the one thing keeping the stringed instrument industry …read more
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Hack a Day
[randomprojectlab] is building a synthesizer around the pentatonic scale for the Hackaday Prize. It’s the Pentasynth, and it’s basically just a keyboard with five notes per scale.
There’s something common to every form of music. Nearly every musical tradition, from western art music, to Indonesian folk music makes use of a pentatonic scale. This is just a major scale without fourth and seventh scale degrees, or just playing the black keys on a piano. It’s the one scale everybody knows, and forms the basis of every school of thought for music education. Noodling over the pentatonic scale is what all …read more
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Hack a Day
In the 1980s, there was a synthesizer that you could play like a harmonica. This device was called the Millioniser 2000. It utilized HIP (Harmonica In Principle) technology. The Millioniser 2000 was a breath controller wrapped in chrome-colored plastic embossed with its logo in an odd, pre-vaporwave aesthetic, and connected to a gray and green sheet metal enclosure loaded up with DIN jacks. The Millioniser 2000 is absolutely the pinnacle of late 70s, early 80s design philosophy. If it were painted brown, the Universe would implode.
Because of the rarity and downright weirdness of a harmonica synthesizer from the 80s, …read more
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Hack a Day
[Uri Shaked] is really into Latin music. When his interest crescendoed, he bought a trumpet in order to make some energetic tunes of his own. His enthusiasm flagged a bit when he realized just how hard it is to get reliably trumpet-like sounds out of the thing, but he wasn’t about to give up altogether. Geekcon 2018 was approaching, so he thought, why not make a robot that can play the trumpet for me?
He scoured the internet and found that someone else had taken pains 20 years ago to imitate embouchure with a pair of latex lips (think rubber …read more
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Hack a Day
Playing the drums is pretty hard, especially for the uncoordinated. Doing four things at the same time, all while keeping an even tempo, isn’t reasonable for most of us. Rather than hiring a drummer for your band who is well versed in this art, though, you might opt instead to outsource this job to a machine instead. It’s cheaper and also less likely to result in spontaneous combustion.
This drum machine is actually a MIDI Euclidean sequencer. Euclidean rhythms are interesting in their own regard, but the basics are that a common denominator between two beats is found in order …read more
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Hack a Day
Toys are now musical instruments. Or we’ll just say musical instruments are now toys. You can probably ascribe this recent phenomenon to Frooty Loops or whatever software the kids are using these days, but the truth is that it’s never been easier to lay down a beat. Just press the buttons on a pocket-sized computer.
One of the best examples of the playification of musical instruments is Pocket Operators from Teenage Engineering. They’re remarkable pieces of hardware, and really just a custom segment LCD and a few buttons. They also sound great and you can play real music with them. …read more
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Hack a Day
We just wrapped up the Musical Instrument Challenge in the Hackaday Prize, and for most projects that meant replicating sounds made by humans, or otherwise making musicians for humans. There’s more to music than just what can be made in a DAW, though; the world is surrounded by a soundscape, and you only need to take a walk in the country to hear it.
For her Hackaday Prize entry, [Kelly] is hacking nature’s musicians. She’s replicating the sounds of the rural countryside in transistors and PCBs. It’s an astonishing work of analog electronics, and it sounds awesome, too.
The most …read more
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Hack a Day
Engineers, hackers, and makers can most certainly build a musical gadget of some kind. They’ll build synths, they’ll build aerophones, and they’ll take the idea of mercury delay line memory, two hydrophones, and a really long tube filled with water to build the most absurd delay in existence. One thing they can’t seem to do is build a woodwind MIDI controller. That’s where [J.M.] comes in. He’s created the Open Woodwind Project as an open and extensible interface that can play sax and clarinet while connected to a computer.
If you want to play MIDI, there are plenty of options …read more
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Hack a Day
[Moritz Simon Geist]’s experiences as both a classically trained musician and a robotics engineer is clearly what makes his Techno Music Robots project so stunningly executed. The robotic electronic music he has created involves no traditional instruments of any kind. Instead, the robots themselves are the instruments, and every sound comes from some kind of physical element.
A motor might smack a bit of metal, a hard drive arm might tap out a rhythm, and odder sounds come from stranger devices. If it’s technological and can make a sound, [Moritz Simon Geist] has probably carefully explored whether it can be …read more
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Hack a Day
They say the only difference between a violin and a fiddle is the way you play it. If that’s so, this modular violin will need a new name, since it can be broken apart and changed in ways that make it sound completely different, all within a few minutes.
The fiddle is the work of [David Perry] and has 3D printed body, neck, pegbox, and bridge. While it might seem useful on the surface as a way to get less expensive instruments out in the world where virtually anyone has access to them, the real interesting qualities are shown when …read more
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Hack a Day
[Hunter Irving] has been busy with the Nintendo LABO’s piano for the Nintendo Switch. In particular he’s been very busy creating his own custom waveform cards, which greatly expands the capabilities of the hackable cardboard contraption. If this sounds familiar, it’s because we covered his original method of creating 3D printed waveform cards that are compatible with the piano, but he’s taken his work further since then. Not only has he created new and more complex cards by sampling instruments from Super Nintendo games, he’s even experimented with cards based on vowel sounds in an effort to see just how …read more
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Hack a Day
We’ve all heard the range of sounds to be made electronically from mostly discrete components, but what [Kelly Heaton] has achieved with her many experiments is a whole other world, the world of nature to be exact. Her seemingly chaotic circuits create a nighttime symphony of frogs, crickets, and katydids, and a pleasant stroll through her Hackaday.io logs makes how she does it crystal clear and is surely as delightful as taking a nocturnal stroll through her Virginia countryside.
The visual and aural sensations of the video below will surely tempt you further, but in case it doesn’t, here’s a …read more
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Hack a Day
Well this is unusual. Behold the Magic Flute of Rat Mind Control, and as a project it is all about altering the response to the instrument, rather than being about hacking the musical instrument itself. It’s [Kurt White]’s entry to the Musical Instrument Challenge portion of The Hackaday Prize, and it’s as intriguing as it is different.
[Kurt] has created a portable, internet-connected, automated food dispenser with a live streaming video feed and the ability to play recorded sounds. That device (named Nicodemus) is used as a Skinner Box to train rats — anywhere rats may be found — …read more
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Hack a Day
Although vinyl records have had a bit of resurgence, they are far away from their heyday. There was a time when 45 RPM singles were not just how you listened to music at home, but they also populated the jukeboxes you’d find in your local malt shop or anywhere else in public. [Fran] has an old 45 RPM “desktop jukebox” from RCA. It really isn’t a jukebox, but an automatic record changer dating from the 1950s. The problem is, the cartridge was toast. Replacing it wasn’t a big problem, even though replacing it with an exact duplicate wasn’t possible. But, …read more
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Hack a Day
Do you have a couple of minutes? Literally and precisely, two minutes. That’s how long these ten songs play. So what? A short song is not new, but these ten songs are part of a campaign to encourage residents of Cape Town, South Africa to cap their showers at one-hundred-twenty seconds. Some of us do not have to worry about droughts or water bills, but most of us are concerned about one or both of those, and this ingenious campaign alerted people to the problem, gave them the means to time themselves, and made it pleasant, not oppressive. The songs …read more
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Hack a Day
That headline sounds suspect, but it is the most succinct way to explain why the Roland TR-808 drum machine has a very distinct, and difficult to replicate noise circuit. The drum machine was borne of a hack. As the Secret Life of Synthesizers explains, it was a rejected part picked up and characterized by Roland which delivers this unique auditory thumbprint.
Pictured above is the 2SC828-R, and you can still get this part. But it won’t function the same as the parts found in the original 808. The little dab of paint on the top of the transistor indicates that …read more
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Hack a Day
As regular readers will know, here at Hackaday we are great enthusiasts for the PCB as an art form. On a special level of their own in that arena are the Boldport kits from [Saar Drimer], superlative objets d’art that are beautifully presented and a joy to build.
The trouble some people find with some of their Boldport kits though is that they are just too good. What can you do with them, when getting too busy with hacking them would despoil their beauty? [Paul Gallagher] has the answer in one case, he’s used not one kit but two of …read more
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Hack a Day
The MIDI spec was released in 1983, and for more than thirty years every synthesizer, drum machine, and piece of computer hardware with MIDI has sported an enormous DIN-5 jack on the back. Why did they choose such a large connector? Well, MiniDIN connectors hadn’t even been invented yet, and today even MiniDIN connectors are rarely-seen, obsolete connectors.
In the last decade, MIDI has found its way into some very small machines. Those Pocket Operators have MIDI sync, you can control a Game Boy with MIDI using the right hardware, and the cute little Korg synths also have MIDI tucked …read more
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Hack a Day
While synthesizers in the music world are incredibly common, they’re not all keyboard-based instruments as you might be imagining. Especially if you’re trying to get a specific feel or sound from a synthesizer in order to mimic a real instrument, there might be a better style synth that you can use. One of these types is the breath controller, a synthesizer specifically built to mimic the sound of wind instruments using the actual breath from a physical person. Available breath controllers can be pricey, though, so [Andrey] built his own.
To build the synthesizer, [Andrey] used a melodica hose and …read more
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Hack a Day
Want an open source portable synth workstation that won’t break the bank? Check out OTTO. [Topisani] started OTTO as a clone of the well-known Teenage Engineering OP-1. However, soon [Topisani] decided to branch away from simply cloning the OP-1 — instead, they’re taking a lot of inspiration from it in terms of form factor, but the UI will eventually be quite different.
On the hardware side, the heart of the OTTO is a Raspberry Pi 3. The all-important audio interface is a Fe-Pi Audio Z V2, though a USB interface can be used. The 48 switches and four rotary encoders …read more
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Hack a Day
Cheap Bluetooth speakers come in all different kinds of shapes and colors, and they let you conveniently stream music, for example from your mobile phone. For [mcmchris], they had one significant shortcoming though: while most of them come with some auxiliary input port as alternative audio source, they usually lack an audio output port that would let him route the audio to his more enjoyable big-speaker sound setup. Lucky for him, it’s a problem that can be fixed with a wire cutter and soldering iron, and so he simply turned his cheap speaker into a Bluetooth audio receiver.
After opening …read more
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Hack a Day
These days, MIDI controllers are just plain cool. There are a million of them out there, and they’re all dressed to the nines in flashing LEDs and sporting swag like USB MIDI interfaces and sliders that just feel right. With our italics budget running out, I should get to the point – you can make your own, and the OpenDeck platform makes it easy.
In its most refined form, the OpenDeck is a board covered in pin headers. To these, you may connect an absolute truckload of buttons, encoders, sliders, and LEDs. The OpenDeck handles all of the inputs and …read more
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Hack a Day
If you’re anything like us, more than a few of your projects were borne out of the fact that you had some crusty bit of gear that was badly in need of a second lease on life. Whether it was a hand-me-down or pulled out of the garbage, we’ve all at one time or another had some piece of hardware in our hands that might not be worth anything in its current form, but would make an awesome excuse for warming up the soldering iron.
That’s what happened when [joekutz] got his hands on this exceptionally juvenile keyboard toy. In …read more
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Hack a Day
MIDI sequencers are surprisingly expensive, making them an excellent target for [RH Electronics] who has created a sixteen-step device. It supports up to eight playable parts per step, which can be either MIDI or drum triggers.
The case and front panel are built to a very high standard, and on a piece of stripboard within lies an ATmega644 which does all the MIDI work, an ATmega328 that runs the many LEDs, and an ATtiny85 that reads the front panel buttons. The whole is kept in sync by a timer on the 644 set to produce the required MIDI clock. There …read more
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8:30
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Hack a Day
Back in the 70s, you couldn’t swing a macrame plant hanger around a record store without knocking over numerous displays of albums featuring talkboxes. They were all over 70s music, kind of like how almost every 80s song has a sax solo and/or Michael McDonald on backing vocals. Not sure you’ve heard one being used? Trust us, you definitely have and just don’t realize it.
Talkboxes are essentially an amplifier and a speaker contained in a box. The speaker is the acoustic diaphragm type used in bullhorns and civil defense sirens. You run your guitar, keyboard, or electrified hurdy gurdy …read more
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Hack a Day
It’s fair to say that the groovebox market has exploded. Store shelves are overflowing with the umpteenth releases from KORG’s Volca line and the latest Pocket Operators. These devices often feature a wide array of tones in an enticingly compact and attractive package, but is it possible to build something similar at home? As [lonesoulsurfer] relates, it certainly is.
The Cigar Box Synth is, well… a synth, built in a cigar box. Based upon a 555 & 556 timer, and a 4017 decade counter, it provides a wealth of beepy goodness all crammed into a neat wooden package. We dig …read more
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16:00
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Hack a Day
Perhaps you’ve noticed, but we here at Hackaday have a slight obsession with the over-engineered. One could fairly say there’s a linear relationship between how likely we are to feature a project and how needlessly complex it is. That said, it isn’t as if we are unable to appreciate a minimalist approach. Taking the scenic route can be a lot of fun, but sometimes it’s nice to just get where you’re going before you run out of gas.
This very slick Spotify “Now Playing” display created by [Jon Ashcroft] is a perfect example of that principle. The hardware is so …read more
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Hack a Day
[Harry Axten] turned the diminutive Korn Monotron into a playable analog synthesizer, complete with a full-sized keyboard spanning two octaves and a MIDI interface.
Korg Introduced the Monotron analog mini-synthesizer back in 2010. They also dropped the schematics for the synth. Hackers wasted no time modifying and improving the Monotron. [Harry] incorporated several of these changes into his build. The Low-Frequency Oscillator (LFO) has been changed over to an envelope generator. The ribbon controller is gone, replaced with a CV/gate interface to sound notes.
The CV/gate interface, in turn, is connected to an ATMega328P which converts it to MIDI. MIDI …read more
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19:00
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Hack a Day
Star Trek has its universal language translator and now researchers from Facebook Artificial Intelligence Research (FAIR) has developed a universal music translator. Much of it is based on Google’s WaveNet, a version of which was also used in the recently announced Google Duplex AI.
The inspiration for it came from the human ability to hear music played by any instrument and to then be able to whistle or hum it, thereby translating it from one instrument to another. This is something computers have had trouble doing well, until now. The researchers fed their translator a string quartet playing Haydn and …read more
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Hack a Day
You may laugh off the ukulele as a toy or joke instrument, and admittedly, their starting price tag and the quality that usually comes with such a price tag doesn’t help much to get a different opinion on that. But it also makes it the perfect instrument for your next project. After all, they’re easy to handle, portable, and cheap enough to use a drill and other tools on them without too much regret. Plus, a little knowledge to play can get you far, and [Elaine] can teach you the essential, “all the pop songs use it”, four chords …read more
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16:00
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Hack a Day
It’s often hard to know what to do with a classic bit of electronics that’s taking up far too much of the living room for its own good. But when the thing in question is an electronic organ from the 1970s, the answer couldn’t be clearer: dissect it for its good parts and create two new instruments with them.
Judging by [Charlie Williams]’ blog posts on his Viscount Project, he’s been at this since at least 2014. The offending organ, from which the project gets its name, is a Viscount Bahia from the 1970s that had seen better days, apparently …read more
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Hack a Day
If you’re in the electronics business, PCB business cards seem like a natural fit. They may be impractical and expensive, but they can really set you apart from that boring paper card from Vistaprint crowd. But they need to make sense for what you do, so for a musician and MIDI pro, this MIDI-controller stylophone business card is a real eye- and ear-catcher.
This business card is an idea that [Mitxela] has been kicking around for a while, and he even built a prototype a couple of years ago. The homebrew card, made using the spray paint, laser etching, and …read more
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16:00
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Hack a Day
Modular synthesizers are some of the ultimate creative tools for the electronic musician. By experimenting with patch leads, knobs and switches, all manner of rhythmic madness can be conjured out of the æther. While they may overflow with creative potential, modular synths tend to fall down in portability. Typically built into studio racks and composed of many disparate modules, it’s not the sort of thing you can just take down the skate park for a jam session. If only there was a solution – enter the madness that is Synth Bike.
Synth Bike, here seen in the 2.0 revision, impresses …read more
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Hack a Day
The Nintendo Switch portable gaming system is heavily locked down to prevent hacking, but the Labo add-on looks like it might be a different matter. The Labo is a series of add-on devices made of cardboard that does things like turn the Switch into a musical keyboard that plays a waveform on a card that you slot in. [Hunter Irving] decided to try a bit of reverse engineering on these cards to see if he could 3D print his own. Spoilers: he could.
[Hunter] started by taking one of the cards that come with the Labo and looking at the …read more
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Hack a Day
This year, [Blecky’s] Hackaday Prize Entry is an air guitar which uses multiple LiDAR sensors to create the virtual strings. What’s also neat is that he’s using his own LiDAR sensor, the MappyDot Plus, an enhanced version of his 2017 Prize Entry, the MappyDot.
He uses a very clever arrangement of six sensors to get four virtual strings. Each sensor scans a 25-degree field of view. Three adjacent sensors are used to define a string, with the string being in the overlap of the outer two of those sensors. The middle sensor is used for the distance data.
For the …read more
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Hack a Day
On-screen controls in a digital audio workstation expand the power of a DJ or musician, but they are not intuitive for everyone. The tactility of buttons, knobs, sliders and real-world controls feels nothing like using a mouse, trackpad, or even a touchscreen. Unfortunately, devices meant to put control into a DJs hands can be unavailable due to location or cost. [Gustavo Silveira] took charge of the situation so he could help other DJs and musicians take control of their workstations with a customized MIDI interface for Traktor DJ software.
MIDI is a widely used serial protocol which has evolved from …read more
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Hack a Day
If you study the specifications of the ESP8266 WiFi-enabled microcontroller, you will notice that it features an I2S audio interface. This is a high-speed serial port designed to deliver 16-bit audio data in a standard format, and has its origins in consumer audio products such as CD players. It would be usual to attach a dedicated DAC to an I2S interface to produce audio, but [Jan Ostman]’s synthesiser projects eschew that approach, and instead do the job in software. His I2S interface pushes out a pulse density modulated data stream in the same manner as a 1-bit DAC, meaning that …read more
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Hack a Day
If you’re working with audio in an embedded environment, the best option for years now has been the Teensy 3 microcontroller board. This choice has mostly been due to its incredible power and audio libraries, but until now we really haven’t seen a stompbox-style interface that used the Teensy to its fullest extent. Now we have, in [Wolkstein]’s GitSynth, everything you could want in a synthesizer that processes the signals from an electric guitar.
The core of this build is a Teensy 3, and all the audio goodies that come with that. Also included is a USB MIDI and audio …read more
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Hack a Day
With its vintage sound, there’s no mistaking the unique 8-bit sound of video games from the 80s and 90s. It became so popular that eventually sparked its own genre of music known as “chiptune” for which musicians are still composing today. The music has some other qualities though, namely that it’s relatively simple from a digital standpoint. [Robots Everywhere] found that this simplicity made it perfect as a carrier for wireless power transmission.
The project acts more like a radio transmitter and receiver than it does a true wireless power transmitter, but the principle is the same. It uses a …read more
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Hack a Day
On the day mini-amps were invented, electric guitar players the world over rejoiced. No longer would they be house-bound when jamming out on their favourite guitar. It is a doubly wondrous day indeed when an electric guitar-inclined maker realizes they can make their own.
[Frank Olson Music] took apart an old pair of headphones and salvaged the speakers — perhaps intending to replicate a vintage sound — and set them aside. Relying on the incisive application of an X-Acto knife, [Olson] made swift work cutting some basswood planks into pieces of the amp before gluing them together — sizing it …read more
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Hack a Day
For those who don’t spend their free time creating music with experimental audio effects, a plate reverb is essentially a speaker. It just happens to be, by design, a rather poor one. Rather than using a paper cone for a diaphragm like a traditional speaker, the plate reverb uses as you might guess, a metal plate. As the plate vibrates along with the source audio, a set of piezoelectric pickups convert that to an output. The end result is that audio fed into the plate reverb comes out with a nice echo effect.
But despite their relative simplicity, a plate …read more
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Hack a Day
It started with a cheap, punch-card programmable manual music box. Thirty-one hobby servos later, it ended as an automated MIDI music box, with a short pit stop as a keyboard-driven MIDI device.
If you think you’ve seen the music box in [mitexela]’s video below before, you’re right. [Martin], musician, inventor, and father of the marvelous marble music machine, took an interest in these music boxes and their programming a while back. Like [Martin], [mitexela] started his music box project with punch card programming, but he quickly grew tired of the bothersome process, even after automating production with a laser cutter. He decided …read more
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Hack a Day
AI is the new hotness! It’s 1965 or 1985 all over again! We’re in the AI Rennisance Mk. 2, and Google, in an attempt to showcase how AI can allow creators to be more… creative has released a synthesizer built around neural networks.
The NSynth Super is an experimental physical interface from Magenta, a research group within the Big G that explores how machine learning tools can create art and music in new ways. The NSynth Super does this by mashing together a Kaoss Pad, samples that sound like General MIDI patches, and a neural network.
Here’s how the NSynth …read more
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Hack a Day
Check out this brand new Yamaha keyboard. The fact that we’re seeing the guts means that [Todd Harrison] can kiss his warranty goodbye. But by now you should know that he doesn’t look to others when something goes wrong with his electronics. This time around he’s not repairing anything. He didn’t like having to plug [...]
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Hack a Day
Since his string bass player isn’t always around [Antoine] built his own electric bass stand-in using the pedals from an old organ. The project — which he calls the Organ Donor — was inspired by a similar standalone organ pedal bass project. That instrument was built using a 555 timer to generate the sound. But [Antoine] [...]
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Hack a Day
[Bill Dudley's] wife wanted to use a couple of different tablets for displaying sheet music. Sure, a proper music stand will have no trouble supporting the weight of the device, but if it’s not secured it place you may soon have a broken device. [Bill's] solution was to build this tablet stand out of PVC. [...]
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Hack a Day
This Digital IR Theremin creates tones based on the distance of an object from its IR sensor. There’s no microcontroller here, since the project is part of an Introduction to Digital Electronics course. Instead, it uses a handful of comparators, transistors, AND gates, and a 555 timer to make noise. The comparators are connected to create [...]
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Hack a Day
He’s just pointing in this image, but this Air Harp can be played using many fingers as once. It’s a demonstration which [Adam Somers] threw together in one weekend when working with the Leap Motion developer board. We first heard about this slick piece of hardware back in May and from the looks of it this [...]
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15:01
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Hack a Day
If you’re looking to learn the art of playing Japanese drums, or Taiko, this hack, done as a school project by [Cornell] students, could be a really helpful aid. The project write-up is very impressive and includes a detailed explanation of their work, the source code, and a bill of materials if you’d like to [...]
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7:58
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Hack a Day
This a screenshot taken from [Pierre's] demonstration of an electric guitar effects pedal combined with DSP and Pure Data. He pulls this off by connecting the guitar directly to the computer, then feeds the computer’s audio output to the guitar amp. The foot controls include a pedal and eight buttons, all monitored by an Arduino. [...]
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Hack a Day
Spring reverb is something we’re used to hearing about when it comes to guitar amplifiers. It’s a coil spring stretched the length of the amp’s housing. One end is fed the guitar signal, with a pickup at the other to capture the output. But this spring reverb is on a much grander scale. [Jochem van Grieken] strung up [...]
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Hack a Day
Building a MIDI device is always a great microcontroller project, and nearly everyone has an old toy keyboard lying around in the back of a closet or in the basement. [JenShen] decided to take one of these toy keyboards and build a MIDI keyboard. The keyboard [JenShen] used was a simple Casio keyboard with built-in [...]
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Hack a Day
This unique electronic instrument combines a chopped up guitar and a hacked apart glockenspiel with an Arduino. [Aaron]‘s Glockentar consists of guitar hardware and glockenspiel keys mounted to a wood body. Solenoids placed above the keys actuate metal rods to play a note. Under the hood, an Arduino connects the pieces. The conductive pick closes a circuit, which [...]
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12:01
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Hack a Day
[James] wrote in to show us his honors project for his fourth year at Victoria University of Wellington. He designed and built this robotic bass guitar. You can hear it performing “mass hysteria” by the band Muse after the break. It sounds great, but we’d love to hear it without the full accompaniment. [James] doesn’t [...]
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Hack a Day
[Valve Child] has been building a few three-string cigar box guitars. Of course he’ll need a few pickups, but three-string guitar pickups aren’t exactly easy to come by. To solve this problem, he’s built a guitar pickup winder powered by a steam engine. The pickup winder is powered by a Wilesco D20 model steam engine, connected [...]
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3:00
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Hack a Day
The Atari Punk Console, a tiny synthesizer based on the ubiquitous 555 timer chip, is the first build de rigueur for any budding electronic wizard wanting to build musical devices. With just a handful of caps, resistors, and a pair of pots, the APC is a fabulously fun and easy build made even cooler by [Pat]‘s addition of [...]
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8:01
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Hack a Day
Anyone who has listened to any music from the 80s has heard the percussive effects of the infamous TR-808 drum machine. To the modern ear, it sounds like an antique. Being the most popular drum machine of all time means it must have some redeeming qualities, right? [Moritz Simon Geist] decided he wanted nothing to [...]
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5:41
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Hack a Day
A few years ago, [Frédéric]‘s brother in law wanted a guitar tuner for Christmas. Instead of going out and buying one, [Frédéric] broke out the soldering iron and built one from scratch. [Frédéric]‘s tuner is built around an ATMega168 uC on a Real Bare-Bones Board with an LM386 amplifier. The display is a standard 20×2 LCD character [...]
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14:01
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Hack a Day
The Dyskograf lets you make music with a magic marker. The musical installation looks much like a turntable for playing vinyl records. But instead of a spiraling groove containing the sounds, this uses marks on a paper disk to play sound samples. You can see the light outline of several tracks on the paper [...]
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6:00
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Hack a Day
[Autuin] picked up the drums at the age of 18, but by his own admission he’s no [Bonzo], [Buddy Rich] or [Ringo]. Practicing always seems to fall off the end of his to-do list, and there really is only one way to Carnegie Hall. One thing [Autuin] is really fast at is typing, so he figured he [...]
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Hack a Day
The Artemis Synthesizer was created as a kit for Boston University’s Artemis Project. This project aims to teach female rising high school freshmen about computer science with hands-on activities. [Chris] based the kit on a ATMEGA328P microcontroller and a MCP4921 digital to analog converter. It can be used in a keyboard mode, where the buttons toggle various notes [...]
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10:01
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Hack a Day
Only half of playing guitar – according to a few musician friends of mine – is moving your fingers up and down a fretboard and banging out some chords. The other half is the artistry of mastering your tone, usually through amp settings and stomp boxes. Effects pedals – little boxes of electronics that go [...]
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Hack a Day
Unlike the traditional ebony and ivory found on pianos, isomorphic keyboards arrange buttons on a grid. This makes every chord the same shape, and to transpose a piece it’s simply a matter of moving your fingers a few places to the left or right. [Brett Park] sent in an isomorphic keyboard he built loaded up [...]
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6:01
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Hack a Day
Some people claim that the sound of vinyl is superior to digital playback. While this hack wont win any awards for audio quality, [Ryan]‘s LEGO Record Player is a unique use of one of our favorite toys. Most of the components including the tone arm, counterweight, and base, are built entirely of LEGO. A large gear from an educational construction set [...]
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Hack a Day
[Sebastian] has a friend who would like to use a pedal with his MIDI setup, but his keyboard doesn’t support one. Some might interpret that as a sign you need to buy a new keyboard. But [Sebastian] has already done a lot of work with the MIDI protocol. He knew it should be possible to [...]
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15:01
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Hack a Day
[Jon Ferwerda] managed to fry the analog electronics on an old electric organ while conducting some circuit bending experiments. It’s a loss, but he’s still left with some cool equipment to play with. Recently he got to work generating tones using the organ’s foot pedals. There were two types of foot pedal included with this organ, [...]
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Hack a Day
Piezoelectric speakers are found all around you, from musical greeting cards to the tweeters in your car stereo setup. Making your own piezo speakers is actually very easy, as [Steven] shows us after replacing the speaker in a clock radio. Piezo speakers require a small crystal with piezoelectric properties, so this build is the perfect followup [...]
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14:00
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Hack a Day
Piezoelectric speakers are found all around you, from musical greeting cards to the tweeters in your car stereo setup. Making your own piezo speakers is actually very easy, as [Steven] shows us after replacing the speaker in a clock radio. Piezo speakers require a small crystal with piezoelectric properties, so this build is the perfect followup [...]
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5:00
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Hack a Day
In the never ending quest to replicate the tone of depression-era blues records, [Valve Child] managed to build the most backwoods guitar ever seen. The body of [Valve Child]‘s slide guitar was taken from the limb of a red gum tree felled during a wind storm. After taking a chainsaw, router, and sander to the [...]
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15:01
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Hack a Day
Part of the fun of the classic game of Operation is the jump you get from the loud buzzer which sounds if you touch the sides. This exhibit piece uses the same principle of lining the edges of a track with metal, but instead of an annoying buzz, each touch will issue a bit of [...]
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15:01
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Hack a Day
Part of the fun of the classic game of Operation is the jump you get from the loud buzzer which sounds if you touch the sides. This exhibit piece uses the same principle of lining the edges of a track with metal, but instead of an annoying buzz, each touch will issue a bit of [...]
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Hack a Day
This project isn’t really a prototype, but a tool for prototyping. [Tymkrs] came up with a unique way to build this synthesizer prototyping tool. They actually patched into the underside of the breadboards in order to keep all of the permanent bits nice and tidy. In the clip after the break you’ll see all of [...]
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Hack a Day
If there wasn’t reason enough to love the Parallax Propeller, now you can listen to chiptunes with your own pocket SID audio player. This chiptune audio player uses the very unusual and very cool eight-core Parallax Propeller microcontroller. After soldering a few caps and resistors to a Propeller dev board to allow for audio out, [...]
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5:30
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Hack a Day
For all the musicians out there, here’s a great use for your Raspberry Pi. All the features you would expect from a nice analog synth are implemented in a Raspberry Pi-based polysynth – dual oscillators, LFOs, and phasers – and it looks like there will be a few more features added before the Raspi synth [...]
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5:30
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Hack a Day
For all the musicians out there, here’s a great use for your Raspberry Pi. All the features you would expect from a nice analog synth are implemented in a Raspberry Pi-based polysynth – dual oscillators, LFOs, and phasers – and it looks like there will be a few more features added before the Raspi synth [...]
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12:01
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Hack a Day
Building guitar pedals has come a long way from hooking up a few transistors and building a simple boost circuit. [Cloudscapes] has been working on a Anti-nautilus auto glitch, auto repeat pedal, and if you’re looking for something that sounds like a spaghetti western soundtrack skipping on a record player, we couldn’t think of anything [...]
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14:01
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Hack a Day
Ah, chiptunes. One of the few remaining human endeavours where less RAM, less storage space, and fewer capabilities are actually considered an improvement. [dop3joe] over at the Stuttgart hackerspace Shackspace sent in a tiny chiptune playing circuit using the most bare-bones hardware we’ve ever seen. The Noiseplug, as [dop3joe] calls it, is based on a very, very [...]
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Hack a Day
There’s a lot of cool stuff brewing on the Hackaday forums. [igor_b] posted a project he’s been working on that uses a servo, motor, wine glass, and a balloon to create a one-glass armonica. A glass harmonica is a series of nested bowls turned on a spindle that is played by running your finger along the rims [...]
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Hack a Day
We’ve seen a lot of interesting MIDI controllers, but this one uses some unconventional materials. The World’s Coolest Keystroke, built by [Audiobody], is made from a combination of tennis balls, Lego bricks, servos, and switches. When a tennis ball is lifted up, a Lego arm is actuated. It looks like a servo is used to [...]
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Hack a Day
The 1970s were the glory days for analog synthesizers, and for [Stefan] listening to huge modular Moogs and ARPs resulted in a wondrous seething jealousy. In 2009, wanting to relive just a little bit of his childhood, [Stefan] picked up a PAiA Stringz’n'Things from eBay. It’s a great little keyboard, but [Stefan] his new purchase to look [...]
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Hack a Day
[Chris] picked up a baby grand. Of course for a complex mechanical device made out of wood, it wasn’t in the best shape. He’s doing his best to refurbish this $350 piano and turn it into something that plays and sounds like a $200,000 concert grand The 1941 Kimball baby grand piano [Chris] picked up for [...]
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Hack a Day
[Chris] picked up a baby grand. Of course for a complex mechanical device made out of wood, it wasn’t in the best shape. He’s doing his best to refurbish this $350 piano and turn it into something that plays and sounds like a $200,000 concert grand The 1941 Kimball baby grand piano [Chris] picked up for [...]
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6:01
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Hack a Day
Mixmaster [robelix] built a MIDI controller for DJs that uses two hard drives for scratching and cutting some wicked beats. [robelix]‘s project is called Hard DJ and was inspired by this earlier build capable of producing a droning appreciated chiptune music using the motor inside a hard drive. Instead of reading the out of phase sine waves produced when a [...]
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14:00
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Hack a Day
Vinyl records are an amazingly simple technology, but surprisingly we haven’t seen many builds to capitalize on the ease of recording music onto a vinyl disk. [Seringson] made his own vinyl polycarbonate cutter to record his own records at home. The impressive thing is he did this with parts just lying around. Just like the professional and obsolete [...]
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8:01
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Hack a Day
The Stylophone – a musical toy from the 60s – is a surprisingly simple piece of engineering. With a simple metallic keyboard played with a stylus and just a handful of transistors, the Stylophone was able to produce a few marvelous for their time sounds, and is the equivalent of a pre-[Stradivarius] violin for the [...]
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14:01
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Hack a Day
Hot off the heels of his web server for the TI MSP430, [Rob] shared a MIDI booster pack for the MSP430 LaunchPad, an exceedingly inexpensive and ever more capable microcontroller that is getting somewhat of a cult following. [Rob]‘s MIDI booster pack contains a MIDI in and out port as well as just about whatever MIDI [...]
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Hack a Day
So like many followers of Hackaday, maybe you’re into electronic music. We’d dare to say though that few of you have the dedication of [adamdzak] as he decided to replicate [Sasha]‘s custom controller for the [Abelton Live] software package. Apparently it’s more difficult than taking apart your DJ Hero controller and hacking it to interface [...]
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Hack a Day
[Jeri Ellsworth] finally set aside some time to talk about the build process for her Commodore 64 bass keytar. We think what started by taking a band saw to the guitar body ended up as a fantastic new instrument. When she was showing off the project at Maker Faire we really only got a cursory [...]
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4:01
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Hack a Day
Say you have a handful of solenoids, a copy of MaxMSP, an Arduino, and access to a whole bunch of parts in a textile museum. What do you do? If you’re like [Luke], you’ll probably come up with an Arduinofied performance of Stomp, played on dozens of old gears, light fixtures, and various other metal parts. To [...]
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5:01
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Hack a Day
A little bird sent in a tip about a really cool MIDI synth. It’s called the Ambika, and it seems like just the thing to introduce a synth head to the world of soldering. Compared to an entry-level synthesizer like the microKorg or its ilk, the Ambika is packed full of really cool features that [...]
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13:01
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Hack a Day
We like what we’re seeing and hearing with [Dorian Damon's] newest version of the Potentar. This is revision 2.0 of the instrument we saw in a December links post. He calls it the Potentar, since it uses a linear potentiometer in a way similar to how the frets on a guitar work (Potentiometer + Guitar = Potentar). The [...]
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5:26
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Hack a Day
Multitouch builds are all the rage now, so it’s not surprising someone would come up with a multi-touchless interface sooner or later. [Hanspeter] did just that; his Multi-touchless ribbon controller, a.k.a. Polymagnetophonic Theremin is multi-touch without the touch. [Hanspeter]‘s touchless ribbon controller uses an array of 24 Hall effect sensors that activate whenever a magnet [...]
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8:01
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Hack a Day
[Sebastian] wrote in to update us about the optical sensor project he started a couple of years ago. You’ll find his most recent update here, but there are four different post links after the break that document various parts of his progress. You may not recall the original project, but he was looking to add [...]
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10:01
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Hack a Day
Get ready to join a band. Just follow the guide over at the Moppy project page and you’ll have your very own floppy drive instrument. The name is a mashup between Musical and Floppy. By using an Arduino UNO as a translator, you can command an array of floppy drives with a musical keyboard (think [...]
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Hack a Day
[Jeff Keyser] from mightyohm.com got a chance to show off this interesting take on ambient music. He’s using his geiger counter kit to detect beta and gamma radiation. This then sends a pulse down the line to an Arduino to turn it into a musical note. The geiger counters put out a 1.ms 3v pulse [...]
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6:02
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Hack a Day
[Fred Murphy] has an old Fisher-Price music box/record player that has lost many of its disks over the last 40 years. It’s a very simple device – concentric grooves in a plastic disk have plastic bumps that are picked up by the tines of the record player ‘cartridge.’ Seeing as how this toy is basically [...]
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11:01
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Hack a Day
It becomes obvious when you listen to this player guitar that it’s not a human being playing. But the only reason for that is the unrelenting precision with which the songs are played. In addition to that accuracy, it’s interesting to note that this tune is normally played by a group of guitarists but here [...]
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10:01
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Hack a Day
If you’re running your own recording studio, you’re going to need a lot of gear that seems excessively esoteric to the non-musically inclined. A rack full of synth gear looks just like any other cabinet of technology you would find in a server room. Electronic music is, for the most part, very utilitarian looking, but [...]
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13:01
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Hack a Day
[Rob Morris] has been hard at working improving his guitar augmentation techniques. Here he’s demonstrating the use of an iPhone to control the effects while he plays. This builds on the work he shared a few years ago where he strapped a Wii remote to the body of his ax. Just like the Wii remote, [...]
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8:01
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Hack a Day
Fresh from the Arduino subreddit comes [dataplex]‘s 26 string electromagnetic harp. It’s a very cool, ambient instrument that sounds simply phenomenal through the Space Echo and Fender Twin rig [dataplex] has. There’s not much in the way of build details, but judging from this post [dataplex] made several months ago the instrument works on the [...]
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6:21
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Hack a Day
Summer is right around the corner and all the final projects from electronic design classes are rolling into the tip line. This time, we’ve got [Chaorong] and [Siyu]‘s auto-composing keyboard from their time in ECE4760 at Cornell. The keyboard has two modes: a ‘happy’ mode and a ‘tender’ mode, the difference being the tender mode is [...]
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12:01
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Hack a Day
[Sam] is working on his Interactive Technology Degree and he made some alterations to this guitar as a class project. It doesn’t look much different, but closer inspection will reveal a handful of extra buttons, and a camera module. He actually added a Wii remote to the guitar which is used to control Max/MSP. His [...]
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13:01
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Hack a Day
[Justin Lange's] dad loves playing guitar, but an accident left him with nerve damage that makes it pretty much impossible these days. He just doesn’t have the dexterity needed to form the cords using his left hand. But his son’s hacking skills are helping him get back into it. [Justin] built a button-based add-on that [...]
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8:01
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Hack a Day
In the 60s 70s and early 80s, roadies would lug hundreds of pounds of musical equipment around to gigs. Although the 8×10 Ampeg bass cabinet wasn’t fun in the least, the absolute worst was the Hammond organ. These behemoths of tonewheel organs sounded great, but moving them was a pain. For better or worse, portable [...]
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12:01
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Hack a Day
This auto-flute does it with steam. Well, electricity gets its piece of the action too as the tone holes are opened and closed using a set of solenoids. We’re at a loss on how the sound is actually produced. We would think that a penny whistle has been used here, except if that were the [...]
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9:01
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Hack a Day
[tinkartank] wrote in to tell us about the chess board step sequencer he built. It’s a great piece of work that combines the wonderful classical erudition a set of chess pieces confers with modern technological musical equipment such as a monome. The build began by routing small holes underneath each square and fitting very small [...]
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7:01
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Hack a Day
Over the past few months, [Magnetovore] has been working on his magnetic cell project. It’s a very interesting instrument that seems right out of the electronic music explosion of the 1970s. Now, he’s ready to share his invention with the world, and we wouldn’t be surprised if we see this instrument being picked up by [...]
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13:08
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Hack a Day
Whether or not you are a fan of the first installment of the Star Wars prequels, you have to see what [Lorenz Lnggrtnr] and [Renee Hoffmeister] have put together for the movie’s 3D debut. In an attempt to capture the essence of Star Wars in a new fashion, they constructed a large barrel organ from [...]
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9:31
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Hack a Day
Here’s a floppy drive which is being used as an audio sampler. At first glance we thought this was another offering which drives the stepper motor at a specific frequency to generate that characteristic sound at a target pitch. But that’s not what’s happening at all. The floppy is actually being used as a storage [...]
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11:01
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Hack a Day
For all those engineers who dabble in music [Magnetovore] has your back. Musicians simply must know their scales and he came up with a papercraft slide rule for major and minor scales. The system is very easy to use. He’s uploaded PDF files that let you print out the mask for the top layer and [...]
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11:01
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Hack a Day
[Evilsigntist] combined an old cornet with an old PS2 guitar hero controller to produce the Trumpet Hero. The fragile looking conglomeration really brings a smile to our faces. Just make sure the instrument has already seen the end of its days before drilling holes to mount the various parts. In the image above you can [...]
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7:01
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Hack a Day
[nikescar] sent in a link to a huge isomorphic MIDI keyboard. We might have missed it the first time around, but that doesn’t diminish such a great looking project. According to the project page, this humongous keyboard is the work people at Louisville Soundbuilders’ efforts to clone the AXiS-64 MIDI controller. Instead of looking like a [...]
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9:01
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Hack a Day
Last summer we got to have a little chat with [Aaron Taylor] about his automated Gamelan orchestra, Gamelatron. The robotic orchestra features a large collection of Indonesian gongs, metallophones, xylophones and cymbals actuated using simple pull solenoids attached to mallets. Gamelatron’s custom controller activates the various 24V solenoids using MIDI, the whole thing is essentially [...]
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7:07
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Hack a Day
If you weren’t already a big fan of quadrotors by this point, we’re pretty sure the video below will get you on the bandwagon in no time flat. The video was debuted this past week at the TED2012 conference, giving [Daniel Mellinger, Alex Kushleyev, and Vijay Kumar] from the University of Pennsylvania GRASP Lab, a chance [...]
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6:01
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Hack a Day
A lot of people might turn their noses up at an electronic version of bagpipes. But we see a definite need for them. After all, it’s pretty hard to take your bagpipes on a road trip, but this eChanter will have no trouble entertaining your fellow travelers. The musical instrument is Arduino-based and the builder can [...]
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11:31
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Hack a Day
[Deadbird] wanted to recreate some guitar pedal effects that he heard on a music video. The thing is, you can end up spending a bundle on hardware unless you’re crafty like he was. He grabbed a Whammy 4 pedal, but decided to forego using a $125 MIDI controller and sourced an Arduino to perform MIDI-based [...]
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11:01
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Hack a Day
Although MIDI was originally designed for 1 MHz computers with 64 kB of RAM, it’s still an industry standard almost 30 years after its introduction. Even for electronic artists armed with a microcontroller, MIDI is old hat if you want to connect a few buttons up to a music workstation. What if you wanted to [...]
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14:45
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Hack a Day
At Hack a Day, we don’t throw the term genius around lightly. We’re obligated to bestow that title on [Don Gilmore] for his amazingly simple self-tuning piano. To appreciate [Don]‘s build, you need to realize that just because a piano has 88 keys, that doesn’t mean it has 88 strings. Treble notes have three strings per [...]
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8:01
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Hack a Day
If you’ve never been to a chiptune show – yes, they exist – you’ve noticed the awesome visuals behind the performers that are usually displayed with a glitching NES. If it’s a really good show, that 8-bit visualization will be in sync with the music and may actually serve as a lo-fi spectrum analyzer. [Andy] [...]
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8:01
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Hack a Day
If you’d like a pseudo-mechanical way of producing a droning synthesizer sound, [gijs] is your man. He made a small synthesizer out of nothing but an old hard drive and a few components. Whenever a disk platter is spun manually, the spindle motor inside the drive produces a few out of phase sine waves on its [...]
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5:01
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Hack a Day
For all the wonder of dulcet tones coming from a century-old music box, we’ve got to admit that [Markus]‘ wavetable synthesis build is still pretty impressive. Of course, the Internet cred gained by doing a demo of Still Alive helps too. Wavetable synthesis stores a one cycle long waveform in RAM that can be played on a loop at [...]
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10:26
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Hack a Day
[Jonathan Thomson] was ruminating on EL wire displays and decided that most he has seen are boring, static fixtures or installations that simply flash EL wire on and off at a fixed rate. He thought that EL wire has far more potential than that, and set off to build something more exciting. Using a graphic [...]
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8:01
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Hack a Day
Weekly Hack a Day feature [Dino] is back again, this time with his very own guitar pedal. It’s modeled on a three-transistor Fuzz Face clone and sounds very good in our humble opinion. Fuzz pedals were some of the first guitar pedals on the market, and for good reason. Their easy construction and simple theory [...]
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9:01
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Hack a Day
[Ian Cole’s] son is learning to play the drums on an electronic drum set, and he wanted a way to continue practicing during his frequent visits to his grandparents’ house. [Ian] had picked up a Spikenzielabs “Drum Kit Kit All-Inclusive” (DKKAI) earlier this summer, and set out to build an easily transportable drum set. The [...]
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13:00
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Hack a Day
So do you have an Atari 2600 laying around collecting dust? Perhaps you’d like to have a musical instrument to take up the time that you would spend playing video games if you had a modern console. Well, look no further than the GATARI 2600! [cTrix] made this device with a custom EPROM chip plugged [...]
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6:11
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Hack a Day
With 8 drives working in concert, this “floppy drive array orchestra” takes drive music to a whole new level! As if that wasn’t enough, [SileNT] decided to use the16x64 LED array that he’s been working on in concert with the drives. For those that remember, we’ve actually featured [SileNT], AKA [Pawel]‘s, work before, where we [...]
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5:00
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Hack a Day
Chiptunes are great, and we can’t imagine a world without the Mega Man 2 soundtrack, but sometimes we all like a more 70′s style synth. This is where the Roninsynth steps in. It’s an Arduino shield that puts the basic components of a wall of synth into your pocket. Unlike the analog oscillators of yore, the Roninsynth [...]
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7:30
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Hack a Day
Wow. And furthermore, WOW! Just looking at that clean prototype you know that a lot of work has gone into the project, but when you hear this chiptune MIDI device you’ll really be impressed. We know what you’re thinking, but really, you’ve got to hear this to appreciate the quality [Linus Akesson] achieved in this [...]
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14:07
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Hack a Day
[Michael] is a huge fan of old media formats. There’s something special about quarter-inch thick 78s, fragile blue cylinders holding music, and thin strips of mylar that preserve the human voice. He’s had an idea for a tape-based instrument for a while, and now that the Magnetotron is complete, we’re in awe of this glass harmonica and [...]
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7:01
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Hack a Day
[Joe] and [Evan] wanted to have some fun with their FPGA course at Cornell. When faced with what to do at the beginning of the semester, they figured additive synthesis was a worthy pursuit. They ended up building the Ocarina of Time for their final project. The guys started by recording a real ocarina and [...]
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5:01
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Hack a Day
While tablature-based music probably annoys “properly” trained musicians to no end, it has given many musicians and musical-hobbyists their first introduction to the world of guitar. The [Tabstrummer] takes this to a whole new level, allowing chords to be programmed into this instrument and played back. Once pre-programmed chord is set, the “conductor-strings” are strummed [...]
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16:34
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Hack a Day
Who needs a tactile interface when you can wave your hands in the air to make music? Air String makes that possible and surprisingly it does so without the use of a Kinect sensor. In the image above, you can see that two green marker caps are used as plectra to draw music out of [...]
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5:01
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Hack a Day
Building a violin by hand is no easy task, but constructing one out of carbon fiber is an amazing feat! Carpenter [Ken] had never made a violin before, nor built anything substantial out of carbon fiber, and he figured the best way to learn was by doing. He spent a good bit of time measuring [...]
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10:01
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Hack a Day
Looks like [Dino] is getting the band back together. After a junkyard tube amp and a DIY tremolo stompbox, he’s back again, this time doing a bit of sound treatment in his studio. Most rooms naturally have a bit of flutter echo. You’ll notice this when you move into an apartment or new house – [...]
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5:01
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Hack a Day
There’s a lot of builders around whose first foray in electron manipulation was building effects pedals for guitars. It looks like [Dino] might be getting back to his roots with his tremolo effects box how-to. Last week, [Dino] found an old 5-watt tube amp in someone’s trash and decided to bring it back to a [...]
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9:01
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Hack a Day
With a Sound + Vision exhibition coming up, the folks over at Seaweed Factory decided they needed something big. Somehow they landed on building a giant pinata that responds to being walloped with a stick by playing MIDI notes. The end result is called the Trojan Chorus. Instead of Greek soldiers, though, the pinata is filled with electronics and [...]
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13:00
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Hack a Day
Why, oh why, oh why do people toss out awesome retro hardware?? Luckily, [Dino] visited the junk depot himself at just the right time. Even though you’re not supposed to take things others have dropped off he poached the retro portable turntable that was just sitting there. He cracked it open and figured out how [...]
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11:01
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Hack a Day
As we wrote the title to this feature we can see why [Jeff Ledger] calls it an electronic flute and not a recorder; this is a musical instrument and not something for archiving audio. Confusion aside, we’re all familiar with these plastic ‘musical’ instruments. Many elementary schools in our area require students to buy one [...]
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6:10
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Hack a Day
Sometimes you just don’t have space for a baby grand. [Abdullah] got around this problem and built a virtual wireless MIDI piano. Unlike it’s inspiration, it’s not bad but we still love it. [Abdullah] got his hands on some flex sensors and attached them to a glove. These resistive sensors are put through a voltage [...]
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14:00
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Hack a Day
[Rob] has been working on his drum trigger build, and he’s finally decided to share it with us. His drum heads and triggers don’t look like anything we’ve ever seen, but he’s pretty confident he has a good kit in the works. The first unconventional of the build is the drum triggers. The triggers are [...]
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16:00
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Hack a Day
“I can’t hear myself in the mix,” “yeah, man, I’ll be there at 8,” and “dude, we need like four more mics.” Each and every one of these words is documented in actuarial tables and doesn’t bode well for your sound tech’s risk of a stroke. Luckily, there’s an even better way to kill your [...]
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15:09
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Hack a Day
[Roberto Barrios] has a Korg Triton sampling keyboard which he enjoys very much, but has grown tired of using media of yesteryear to store his work. He had the option of floppy disk or Jazz drive and for a time he was using a floppy-to-USB emulator, but the keyboard still insisted on a 1.44 Mb [...]
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10:01
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Hack a Day
[74hc595] just finished his entry in the 7400 logic contest. It’s a drum machine built entirely from 7400-series logic chips. He hasn’t quite reached full completion of the project yet. The hardware works just fine, and he’s built a foam core face plate with many more controls than you see here but much of the [...]
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15:01
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Hack a Day
[Fish] is really proud of his newest creation, the Hydrocrystallophone. This new instrument reminds us of an even more steampunk version of [Benny Franklin]‘s glass armonica – an instrument that reportedly plunged the player into a, “dark and melancholy mood.” The build is based around a 1920s hand-cranked phonograph motor. The phonograph motor spins a [...]
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11:01
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Hack a Day
When we first saw the live cover of Skrillex Scary Monsters And Nice Sprites by the band Pinn Panelle, we had to know how a band is able to play live dubstep on real instruments. We emailed the band and they spilled the beans on how to process the hell out of an instrument in [...]
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12:25
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Hack a Day
[Mark] had seen a few examples of algorithmic music generation that takes some simple code and produces complex-sounding results. Apparently it’s possible to pipe the output of code like this directly to audio devices on a Linux box, but [Mark] decided to go a different direction. His project lets you play simple algorithms as audio using [...]
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10:01
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Hack a Day
Although many have made some sort of music with improvised electronics, few sound as cool as this Imperial March from Star Wars played by two floppy drives. According to [Pawel], “It’s nothing new” and quite simple. This may be true as we’ve featured an Imperial March-playing floppy drive here before, but it was only one [...]
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14:01
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Hack a Day
[Andy] came across this guitar midi controller project from way back and decided to send us a tip about it. The English version, translated from the original Russian, is easy to follow and documents the build process from first prototypes to the version you see above. It can connect via a standard MIDI cable and [...]
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15:01
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Hack a Day
[gijs] sent in the control voltage sequencer he’s been working on that uses the TVout Arduino library to provide a graphical interface. The sequencer doesn’t produce any sound on its own. Instead, it outputs a Control Voltage so other synths can be sequenced with [gijs]‘ TVSCV. Before MIDI came around, CV was the standard to [...]
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14:01
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Hack a Day
[magnetovore] made himself an electronic cello. Instead of pulling a few cello samples off of an SD card, he did it the old school analog way. The finished build is really impressive and leaves us wondering why we haven’t seen anything like this before. [magnetovore] uses a permanent magnet to play each ‘string’. A lot [...]
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15:01
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Hack a Day
Reading this week’s ATtiny-themed builds, [Thomas] was reminded one of his coolest builds. His midi808 project used an ATtiny2313 to sync a vintage Roland 808 drum machine to his Logic workstation. Even though MIDI had been around for a few years when 808s were being made, the CPU in the 808 isn’t exactly up to [...]
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4:05
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Hack a Day
[Olli] sent in his writeup of a musical instrument he made called the Black Deck. [Olli]‘s instrument was inspired [Jimi Tenor]‘s photophone – a transparent disk attached to a fan and photocell. A transparent disk is placed on the turntable [Olli] rescued during a dumpster diving expedition. A light shines though the optical disk and [...]
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12:01
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Hack a Day
This week, with a little help from a Roomba, [Dino] built a guitar pickup and preamp that sounds marvelous. A pickup takes vibrations from the guitar and turns them into an electrical signal which can then be amplified and broadcast. He grabbed a long-dead Roomba which has slowly but surely been donating its organs for [...]
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15:01
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Hack a Day
[Julian] picked up an old record player that was sitting in somebody’s trash pile, and brought it home to see if it could be restored to working order. When he got it home he discovered that it didn’t work at all, so he and his wife decided to modernize it a bit. In an effort [...]
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8:07
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Hack a Day
After a bit of inspiration, [Pete] decided to build a solid body electric guitar for himself. Instead of assembling a conglomeration of off-the-shelf parts, he plans on building just about everything from scratch. This includes the guitar pickups, so he built himself a pickup winder that has measures RPM, ETA until done, and auto stop [...]
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11:01
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Hack a Day
[Niklas Roy] is rolling out some water-powered music for Berlin’s Museum night. It seems that this water-wheel is attached to the side of the Museum. It’s got a stream flowing past it and the wheel is constantly turning. The thing is, that work isn’t being used for anything. Now we’ve already seen [Niklas] making electricity [...]
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8:05
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Hack a Day
Feeling a bit left out because he didn’t have a PICAXE on hand, [Rob Miles] decided to port the Luna Mod code so that it would work on an AVR chip. He chose to build his around an ATtiny45, but also mentions that this is Arduino compatible. This case layout is a bit different from [...]
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9:04
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Hack a Day
The 4DOF CXN-I anthropomorphic robot arm in the Mechatronics Lab at FICES-UNSL (Engineering faculty, San Luis National University, Argentina) was built from scratch, and it is still a work in progress to teach and learn about mechatronics , in order to build another, more robust and precise arm in the future. When one of the [...]
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7:02
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Hack a Day
[James] built himself a robotic band from obsolete computer parts. The band needed something to play, and [Marilyn Manson]‘s Beautiful People fit the bill. While it’s not the Rock-fire Explosion, having the [James]‘ band cover [Marilyn Manson] is nearly as terrifying. [James]‘ original plan was to cover Mad World, but the stepper motors were drowning [...]
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9:02
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Hack a Day
[Peter Brinkman] is working on a circuit that makes it easy to interface MIDI and Bluetooth devices. His target hardware has been a MIDI compatible keyboard and an Android phone. He was inspired to tip us off about the project after reading about yesterday’s Bluescripts project. We’ve embedded two demo videos after the break. They [...]
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5:00
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Hack a Day
Instructables user and Community Manager [Randy Sarafan] recently put together a tutorial on how to build an ages-old musical standard, the “Fuzz Pedal”. He says that the secret to rocking out is fuzz, so if you can handle both a soldering iron and a guitar, this project is for you. When you take a close [...]
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8:04
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Hack a Day
[Chris] at PyroElectro sent in a great 8-part write-up of a miniature infrared theremin. The theremin is based on a PIC microcontroller and an infrared distance sensor. The build log goes through the theory of operations for the IR sensor and tone generation. [Chris] definitely does a great job showing the math that went into the design. [...]
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13:08
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Hack a Day
[Sebastian Steppeler] has been hard at work on his optical sensors for an electric piano. When we looked in on the project back in October he was testing reflective sensors to increase responsiveness and MIDI data resolution for his electric keyboard. Since then he’s finalized the sensor circuits and produced enough boards to monitor all [...]
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7:32
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Hack a Day
Hacking and digital music seem to be very much related arts. This very well built hack goes through the process of creating a MIDI synthesizer using a field programmable gate array (FPGA) and several other components. A laptop is used as the MIDI interface which runs through a filter and then to the FPGA. This [...]
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5:05
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Hack a Day
For over 25 years, [Len Solomon] has been performing a one-man variety show that features crazy-looking, hand-made musical instruments that operate on air. Some of his more famous instruments include a callioforte he constructed, as well as his Majestic Bellowphone, both powered by some form of bellows, of course. His most recent musical creation is [...]